The Gremmys put a lot of weight on my fickle tastes, so I like to spread out and get input from others who have listened to a lot of new surf music to add some balance. It's always fun seeing what releases clicked with other people, and which ones people happen to agree with me about.

I gave everybody full reign over how they wanted to format it -- after all the format of the Gremmys is pretty awkward on its own. Italics are my own little intros.

Thanks to everybody that contributed this year!

The downside of assigning strange categories for your end-of-year review process is there's all these other things you want to recognize. So that's what this is for. These categories are completely unstructured. Some categories didn't exist last year, some categories disappeared from last year, and they might come back next year.

For the sake of layout I'm not posting individual Gremmy Awards images for winners, but if you won and you'd like me to send one, let me know.

I can't imagine you stumbled upon surf music because it was popular. Wesweek out the obscure and different, and I think it's important to recognize those that are really trying to do try something new. This category is to recognize groups that have a loose foothold from surf but jump into more challenging directions.

This category used to be called Best Way-Out Instro, but I was never comfortable with that name and realized that "Mad" rhymes with trad and rad and works well enough. Mad as in crazy, not angry.

This category is for surf groups that represent the state of the music today. They're not focused on sounding authentic, they're about making a good surf record while accepting and incorporating the roughly 60 years of music history that happened since the birth of surf music. This description covers most surf bands releasing music today, and it's always really difficult to choose a winner. I cut a lot of great records from this list just to bring it down to this many -- easily the largest category this year! I feel that all of these albums are at the same level as each other, and I'll happily recommend any of them to anybody.

Arguably, surf was the first type of rock & roll to really focus on a feeling of power and aggression, playing songs faster and louder. As punk and metal rolled around, a lot of bands absorbed those influences into surf to really ramp up the ferocity. For the sake of categorization and rhyming, I've called these bands "rad" instro groups.

The definition of surf gets less clear all the time, but thankfully there are still some groups trying to anchor it down by explicitly reaching for the 60's. That sound is timeless, and though I love hearing how people take surf to new dimensions, it absoluteyl doesn't need to be taken anywhere. Here are some groups that made great records by sticking to the tried-and-true sound.

Honorable Mentions

I love that surf has its own look and feel, and it certainly helps me find new surf records. What's interesting about this year is that I didn't notice as many bands adhering to that look and feel, and part of that was a surprising no-show from some of the heavyweights of this genre, such as Shawn Dickinson and Fred Lammers. Here's what stuck out to me.

Storm Surge of Reverb is currently just one person and I have my own fickle tastes. There are lots of albums that I know others enjoy but didn't click with me, and there are albums I enjoyed but not quite enough to find their way into the Gremmys. So I call on my friends to spread it out a bit! The following people are very well-versed in today's instro music and I want to thank them for letting me put that to use.

"Best" Concept Album

CHURCH SURF - CHURCH SURF

If not here then where? This is for the bands that are close enough to surf but hard to consider amongst the rest. The weirdos. The criteria here is especially loose, basically up to my own whims, but I think they all have value to surf music as a whole.