I have to be careful about stuff like this, as I'm an easy target for overproduced maximalist surf music. Trying to peel back the layers of this, naming and following the instruments, would require some notes and probably a little pausing and rewinding, and sometimes when there's so much of that to do it's hard to answer the simple question: are these memorable songs? I've had this record for a few weeks now and I still don't know, I'm still lost in the dense instrumentation, but I suppose I can answer the most important question: am I enjoying myself? Yes.

The past month or two have been a rush of new surf music, many of them from long-standing names or on trusted labels. Sun Bus, hailing from Bethlehem, PA (outside Allentown), are decidedly neither of those things, but maybe this 6-song EP will change that. This isn't their first release, with a few 2-song releases dating back to December 2023, but this one is a statement. "8 Ball Shark" comes out shouting, with anthemic guitar lines pushed along by an energetic rhythm section. This isn't a simple riff, this is a song wants to tell the whole story!

Every time I get a bandcamp notification with a new release from the mysterious William J Le Petomane on bandcamp, it elicits an "ooh!". And upon listening to this one I must confirm: "ooh!".

Hard to Fathom indeed. Even their 2007 release Fathomless felt like a gift after a 9 year gap, but 18 years later this feels much more notable, and for reasons. In 2017 there was a GoFundMe for lead guitarist Frankie Blandino. He had a case of Dupuytren’s Contracture, which causes your fingers to "claw inward", which is not ideal for a guitarist.

Magnatech is a solo project from John Verhoef that jumped out mid-pandemic with a steady stream of releases that now totals seven LPs five years on. Each release saw noticeable tweaks and tips learned along the way until he'd worked out a pretty signature sound. Perhaps in fear of painting himself into a corner, for 312 Magnatech Fans Can't Be Wrong, there's a bit of a reset on that sound, pulling the plug from the compressor in the signal chain, for a less in-your-face sound overall but perhaps a more honest and detailed guitar.

One of the coolest things about the Surfguitar101 Festival is the burst of new releases occurring in advance of a band's appearance.

This band has been around for way too long for this to be their first LP, with EPs dating back to 20 years ago. While admittedly I'd never heard of them so I woudln't call this "long-awaited", it was certainly worth the not-wait. Very punchy, busy sound that can be just as much euro-instro or twistin'-oriented as surf but satisfyingly true to vintage sensibilities.

I haven't done one of these for a while, but there have been a number of records I've wanted to make sure people heard lately, so now's a great time for a slew of mini-reviews! I'm going to try to limit myself to ~5 sentences per band, partially because I want to actually publish this on Bandcamp Friday, and also because I miss writing reviews in little nuggets like that.

Frankie and the Pool Boys' first record was kind of a kitchen-sink record, with Ferenc Dobronyi on guitar, Jeff Turner on bass, Dusty Watson on drums, and a bunch of friends on the other guitars and additional whatever. Then they became a real band with an established lineup for two great LPs. And now we've got back to the start with Endless Drummer, a Poolboys record with a different drummer on every track, not to mention a bunch of other friends joining in.

Things have been relatively quiet for one of the loudest groups in surf. While Arno has snuck in a few small EPs, it's been 4 years since the last entry in the Retrofuturisme series/their last LP. But I'd say the extra time has paid off.