Oh no. It's pretty much June and I haven't finished the Gremmys. I got sidetracked, a little burnt out,time to shove this out the door. This is my category for things that felt worth mentioning for whatever reason or another. I often highlight outstanding EPs in this section, but since it's gotten this far behind and that's the most time-consuming part, I'm forgoing it. These are probably the least serious categories, a lot of them don't exist from year-to-year. Anyway, let's do it.

Bandcamp may have changed hands again recently, but it looks like they're still giving up their portion of sales on the first Friday of every month, so "all" of your money goes to the artists (so long as you count Paypal as an artist). And as semi-usual, I'll draw some focus to recent surf releases worth a look. October is always a big month for surf releases as bands try to cram stuff in before Halloween, but that hasn't started yet, so this is mostly un-spooky. I also didn't get a chance to do one of these last month, so it's reaching back a little further.

It's been, oh, 60 years since the surfquake and music has changed significantly. Everybody reading this website recognizes that there was something special in surf music, but it can also be crossbred to make new amazing sounds. You don't have to be trying to forge something new, sometimes you're just making the music that makes sense to you. No matter the case, here are the standouts in modernized surf music this year.

Well I thought today would be Bandcamp Friday. I typed up this whole article and then checked isitbandcampfriday.com and apparently the next one is in September. It's nice to have a roundup of reviews anyway. Here's some notable stuff to come out since the last one of these I made.

I define this category as bands that are still ostensibly playing surf music, but aren't necessarily trying to sound like a band from the 60's. Similar spirit, but allowing newer influences, "non-standard" equipment, and are generally using surf music more as a jump-off point than a restraint. This is often the sort of "main event" of the Gremmys, the category that defines the most groups and often the most attention-getting groups. This year was a doozy. My initial list was over twenty candidates, and though I've narrowed it down considerably, I'm not sure this category has ever been this crowded. However, I spent a long time getting here, and I believe every single one of these are the cream of this year's crop.

Album art is important. Bad album art can negatively affect a listener's opinion going in, and good album art can inform how to approach the album, what imagery they can conjure in their head. I think this especially important in instrumental music, where so much is left to interpretation without lyrics to guide you. Here are some records that stood out to me before I even listened to them.

Another day when bandcamp gives up their cut of profits from sales and gives them directly to bands. Paypal ain't givin' up their cut, so according to bandcamp on average bands get 93% of what you pay today vs 82% on a normal day. Of course, it's getting to the point where there's another way to support bands: MAYBE you're able to go see them live! Say hi to a musician, buy their records from a dimly lit table the old fashioned way.

This month was a BIG ONE for new releases. Believe it or not, I had to be pretty picky here and I had to upgrade from records I liked to records I loved. You've got your listening cut out for you!