It's great to make music that sounds like the 60's, but sometimes you just want to make the surf music you want to make. Or maybe you want to push the genre beyond where it's been. There were a lot of great options here this year, and while I don't think my selections paint the full picture, these are the records that I felt were the best from start to finish.

SurfGuitar101 is back and, to embrace cliche, bigger than ever. This year organizer Jeff "BigTikiDude" Hanson partnered with a few other organizers, dropped the moniker of Convention, and moved to the 3-day weekender model, held at the Golden Sails hotel, where I failed to get a room before it filled up.

The Bomboras were a standout group of the 90's surf revival, bolstered by a wild live show (not that I ever saw it) and a little extra visibility from one of their albums being released on Rob Zombie's label. Their sound was loud and savage, full of wild energy without adopting overt punk influence, sticking with fuzz over distortion and letting the organ do a lot of the talking. They called it quits in the year 2000.

I define this category as bands that are still ostensibly playing surf music, but aren't necessarily trying to sound like a band from the 60's. Similar spirit, but allowing newer influences, "non-standard" equipment, and are generally using surf music more as a jump-off point than a restraint. This is often the sort of "main event" of the Gremmys, the category that defines the most groups and often the most attention-getting groups. This year was a doozy. My initial list was over twenty candidates, and though I've narrowed it down considerably, I'm not sure this category has ever been this crowded. However, I spent a long time getting here, and I believe every single one of these are the cream of this year's crop.