The Bomboras were a standout group of the 90's surf revival, bolstered by a wild live show (not that I ever saw it) and a little extra visibility from one of their albums being released on Rob Zombie's label. Their sound was loud and savage, full of wild energy without adopting overt punk influence, sticking with fuzz over distortion and letting the organ do a lot of the talking. They called it quits in the year 2000.

Daikaiju have been around for 20 years and in that time have performed... I'm gonna take a conservative guess and say 2000 shows. And yet in that span they've only released three albums. That isn't a suggestion that they should *do more*, because they're about as active as any band I know, it's just surprising.

I've really been struck by how many fantastic surf releases this year, and every time I reflect on this I've reminded myself that there are a few looming releases threatening to crash my mental list of favorites. Any Satan's Pilgrims release holds that promise, but this is a particularly meaningful one as it's the last one that will feature their classic lineup with their late guitarist Dave Busacker who passed away in March 2021.

The Manakooras are not what you think they are.

Comprised of Jeremy from The Aqualads, Ted Pilgrim, Brian and Gary from the Intoxicators, Tim from the Reverburritos and others, this is not a surf supergroup. This is an exotica group, and there's even less noticeable surf guitar than on previous releases they've done. Don't approach this like Tikiyaki Five-O, expecting surf covers of exotica, this is exotica enough that the surf musicians are really my only excuse for reviewing it. It helps that it's really good too.

The Del-Vipers shot out like a rocket with their debut LP Terror of the Del-Vipers, then carried that momentum onto the more musically diverse EP Cannibal Safari. So you might be a little a little startled by how unstartling this album starts: with with friendly, sweet Shadows-ey guitar. On their second LP, The Del-Vipers have crafted a much more global, expansive sound that does more than just rip... but also still rips.

I'm glad I caught this one, as the name doesn't exactly scream surf. I mean, maybe you knew that Mary Ann Hawkins was pioneering surf in the 1930s. Maybe you knew about their two previous EPs (one on 8" vinyl apparently?). I didn't. But there is a surfboard on the cover.

I remember when Northwest surf guardian Thom Head said I needed to listen to this local Seattle band The Delstroyers, and made sure I got a copy of their first EP. I remember hearing it and thinking he wasn't kidding. Since then it's been a lot of fun watching them go on to do bigger things. They released a blast of a debut LP, put out a cool 7" on Hi-Tide, and I've seen them play on two US coasts -- my then-unborn son even started kicking along to a pre-SG101 show, the first time he'd done that to music!

As global as the surf scene is today, I feel like we only get glimpses of what's happening in Japan. You hear about how tiny villages have "Ventures" bands, we know about eleki, Surf Coasters, and from what I hear it's a great place to tour playing surf music -- with all that in mind there must be more than the likes of The El Caminos, The Royal Fingers, Mach Kung Fu, 5.6.7.8's, Toni OK, Rat Holic, The Routes, Lulufin the Woohoo and Switch Trout. After all, those bands are all REALLY GOOD. Where are the mediocre Japanese surf bands?

SSSU's unique blend of surf and lounge (for lack of better description) have been a beloved facet of the surf ecosystem for 25 years. However, though I think they never lost a step, their more recent efforts felt a little "library" (again, for lack of a better term). A little more genre-expansive, experimental, and a little less guitar. I always thought it was probably all they could do to keep from going stale, and they did it well.