The title "Poolside with" may seem somewhat generic, but it's actually a bit of a clue. The Bluebottles aren't out to capture the adrenaline rush of a monster wave, it's a lighthearted album full of party music. Even though opening track, though lively, features an acoustic guitar lead, aiming to greet with an active dance floor rather than an overwhelming salvo.

The fourth LP from Coffin Daggers is perhaps a bigger turn than having a google-eyed bongo-playing demon on the cover: it's a cover record! Of eleki tunes! For those unacquainted, Eleki is a Japanese instrumental rock & roll music, highly Ventures influenced, typically with very sharp, staccato guitar tones. Admittedly, Eleki is a bit of a weak point in my instro knowledge -- I always kind of hoped I'd go to Japan and blindly buy anything that vaguely fit the bill and learn from there -- but generally good starting points are Takeshi Terauchi and Yuzo Kayama.

Chewbacca’s have released two great Astro-Man styled records back in 2002, resurfaced with a great split LP with Espectroplasma in 2012, and that’s it until now with this full LP on Sharawaji Records.

Stereophonic Space Sound Unlimited would be one of the best at their genre if they didn’t feel like their own genre. If each LPs sounds similar to the last, I believe that’s OK because nobody else sounds like them and that sound has been pretty tightly designed since LP1.

Every Durango14 album has built significantly on the last one, and while 2016’s Vol. 3 was very close, I believe this is the album they were striving to make.

The initial few EPs from Les Robots were immediately exciting: they were bar-none the best modern Joe Meek sound-alike that I'd heard. Thankfully, they didn't keep us waiting for long to hear a full-length, and I think it delivers on the promise of those EPs.

Recently the surf radio show Heads Up! with Carmen Ghia put on a monster 11-band showcase of Seattle's surf/instro groups. On that roster was a band called Via Combusta, who have been playing Seattle surf shows for a while but seem largely unknown outside their home turf (and was certainly unknown to me). This 7" was slated for a release this fall, but waddaya know, they were ready to go earlier than expected, which is seemingly never the case these days. I think they deserve a little attention.

In 2015 Los Freneticos’ album El Sonido Que Perdura was anointed with my Gremmy award for best Trad Surf record of the year (man, I was playing fast and loose with the word "trad" then...). It’s a record that bursts with energy, exuberance and playfulness. Teletransportacion is the follow-up to that record, and though it keeps much of the same sound, it chooses a different style. If El Sonido Que Perdura is an action-packed Saturday afternoon in the sun, Teletransportacion is Sunday at the same spot, cold drink in hand.

This is a band that’s straight-ahead with their delivery, so I’ll do the same: El Zeb nail it.

The surf band with perhaps the most uncomfortable name since Bambi Molesters have finally released their first full-length, and that mindset of pushing out of the comfort zone is all over this thing. However, this isn’t achieved by merely adding a theremin or doing a spaghetti western song; it’s with unexpected syncopation, different guitar tones, subtle effects and instrumentation. Not only is the band trying new things, but the listener is challenged as well. And most importantly, it works.