The first Frigidaires album Play it Cool was released on January 1st, 2024, so while we didn't have to wait long for that first good surf record of the year, I wasn't able to give it my full attention as I was consumed with holiday travel and Gremmy Season. Not the case here, though certainly not at an un-busy time (I'm trying my best to keep up with great releases!), Hot Vacation is not only poised before things get too Halloweeny, but it's had time for marinate for those that picked it up early at Surfguitar101 Festival. 

Sometimes being part of a local scene can raise your profile a bit, make sure the right people hear your stuff. I. Jeziak and the Surfers are, to my knowledge, the only Polish surf band at the moment, and yet they've managed to break out all the same, getting signed to the prestigious Hi-Tide label, and taking stage at Surfer Joe Summer Festival, and after this record, who knows? I suppose in surf music you can make a name for yourself by scraping for that one spot of originality nobody's found yet, or you can grab that ring that so many have reached for and slipped their fingers: vintage authenticity. Somehow this group from a place that probably doesn't have easy access to Fender gear and more than likely grew up hearing Shadows more than Surfaris have made about as convincing of a 60's reproduction as I've heard.

Los Straitjackets were, and perhaps still are, the biggest band in modern surf music, regularly finding their way onto large festival lineups that actual non-weird people went to and making several appearances on Conan O'Brien's show. And then... nothing changed. They continued playing, there were some health issues, but they never really quit.

I have to be careful about stuff like this, as I'm an easy target for overproduced maximalist surf music. Trying to peel back the layers of this, naming and following the instruments, would require some notes and probably a little pausing and rewinding, and sometimes when there's so much of that to do it's hard to answer the simple question: are these memorable songs? I've had this record for a few weeks now and I still don't know, I'm still lost in the dense instrumentation, but I suppose I can answer the most important question: am I enjoying myself? Yes.

Hard to Fathom indeed. Even their 2007 release Fathomless felt like a gift after a 9 year gap, but 18 years later this feels much more notable, and for reasons. In 2017 there was a GoFundMe for lead guitarist Frankie Blandino. He had a case of Dupuytren’s Contracture, which causes your fingers to "claw inward", which is not ideal for a guitarist.

As was written, in 1994 Pulp Fiction was released to theaters, effectively attaching jumper cables to surf music. Not only did this give rise to countless new surf groups, but 60's acts found a new audience, which gave way to events like the one presented to us here: a recording of a 1995 gathering of surf greats at the Lighthouse Cafe in Hermosa Beach in 1995, organized in part by Paul Johnson (Bel-Airs and PJ and the Galaxies). It was truly a legendary night. I was ten years old, roughly 2000 miles away, and this was roughly around when I bought my first CD, so I can't vouch for that. But today I can get a glimpse!

One of the coolest things about the Surfguitar101 Festival is the burst of new releases occurring in advance of a band's appearance.

This blog has a pretty strict instrumental focus, so I'm bending the rules a bit to review the new Untamed Youth, as it only has four instrumentals. But they're such a legendary group that is essential to the story of surf revival, and it would be a shame to leave it off.

OK that's not really why. I want to focus on these instrumentals, as they're pretty excellent.

Alright, that's not really it either. I mostly just want to write about one song.

This band has been around for way too long for this to be their first LP, with EPs dating back to 20 years ago. While admittedly I'd never heard of them so I woudln't call this "long-awaited", it was certainly worth the not-wait. Very punchy, busy sound that can be just as much euro-instro or twistin'-oriented as surf but satisfyingly true to vintage sensibilities.

Frankie and the Pool Boys' first record was kind of a kitchen-sink record, with Ferenc Dobronyi on guitar, Jeff Turner on bass, Dusty Watson on drums, and a bunch of friends on the other guitars and additional whatever. Then they became a real band with an established lineup for two great LPs. And now we've got back to the start with Endless Drummer, a Poolboys record with a different drummer on every track, not to mention a bunch of other friends joining in.