There are many surf festivals around the globe, more than I can enumerate, but Surfer Joe Summer Festival is so special. I mean, there's a baseline of special at any surf event: you see these performers that are so exceptional, legendary even, but only within this tiny genre. It feels like a secret. But to converge upon Livorno, a charming Italian town scarcely mentioned by the rest of the world, with roaring waves behind you, and for every person you meet to be sporting a different accent, and to be immersed deeply in this for four days... it's dreamlike.

I define this category as bands that are still ostensibly playing surf music, but aren't necessarily trying to sound like a band from the 60's. Similar spirit, but allowing newer influences, "non-standard" equipment, and are generally using surf music more as a jump-off point than a restraint. This is often the sort of "main event" of the Gremmys, the category that defines the most groups and often the most attention-getting groups. This year was a doozy. My initial list was over twenty candidates, and though I've narrowed it down considerably, I'm not sure this category has ever been this crowded. However, I spent a long time getting here, and I believe every single one of these are the cream of this year's crop.

Album art is important. Bad album art can negatively affect a listener's opinion going in, and good album art can inform how to approach the album, what imagery they can conjure in their head. I think this especially important in instrumental music, where so much is left to interpretation without lyrics to guide you. Here are some records that stood out to me before I even listened to them.

I'm hard-pressed to think of a current surf band that's as straight-up delightful as Les Agamemnonz. Their image is outwardly ridiculous, robed in colored tunics and barefoot, coupled with some of the most inventive stage antics and a simply joyful attitude when playing.

To be a goofball is not necessarily to be an idiot. Balancing this out are their strikingly thoughtful recordings. Amateurs in particular feels equal parts big and small, ambitious but humble, and I think they're even recognizing this with their album art, gigantic redwoods dwarving the band.

The final chunk of the Top 100 Surf Records of the 2010s is here, with plenty of longstanding surf heavyweights but also some great new upstarts. Thank you to everybody that voted on this list and I hope you're satisfied with the results!

The final day of Surfer Joe started a bit later, which was great because that was the case for me too. Us VIPs were treated to a breakfast more in line with what I would expect from Surfer Joe diner, including pancakes, bacon, sausage, croissants etc. Each day of these breakfasts was great.

First time it’s a new thing, second time it’s getting official, third time it’s a ritual.

I enjoyed Les Agamemnonz's debut 10". It had a good trad sound, a lot of very drippy reverb and a somewhat restrained energy that worked out well. They keep that up with Au Revoir, though they expand a bit. "Vulkanizer" (which really masters the thud from the Astronauts' "kuk") and "El Tremblador" are a bit more menacing than I remember from this band, and they pick up a wild west sound on the last three tracks. Tickling one of my favorite spots is "Tre Grazie", a great take on the Peruvian chicha sound.