There are many surf festivals around the globe, more than I can enumerate, but Surfer Joe Summer Festival is so special. I mean, there's a baseline of special at any surf event: you see these performers that are so exceptional, legendary even, but only within this tiny genre. It feels like a secret. But to converge upon Livorno, a charming Italian town scarcely mentioned by the rest of the world, with roaring waves behind you, and for every person you meet to be sporting a different accent, and to be immersed deeply in this for four days... it's dreamlike.

This is the category highlighting bands that are most mostly influenced directly by bands from the 1960s and would delight in hearing themselves compared in such a way. There are years where there aren't as many bands in this category as I'd hope, and I get a little more forgiving about what "traditional" sounds like. This year there were so many great trad surf records that I went in the opposite direction, dumping great records into other categories at the slightest hint of modernity and cutting records I like because the bar was simply too high. Certainly not the worst problem to have, but often tough in its own way. Ideally the Honorable Mentions are good enough that somebody else will think they should be the winner. I expect to see a lot of that this year, as there are some true heavyweights below.

The final chunk of the Top 100 Surf Records of the 2010s is here, with plenty of longstanding surf heavyweights but also some great new upstarts. Thank you to everybody that voted on this list and I hope you're satisfied with the results!

First symposium was an overview of surf music in Italy, hosted by White Seed. A topic so obviously relevant I was surprised it hadn’t been done yet! Furthermore, it was one that I felt shamefully unaware of. While I knew of several bands within the past 10 years or so, I knew of nearly zip in the 60’s. So we had a few choice examples, including some vocal surf pop from back in the day, through the 80’s (including a mention of Dome la Muerte from Friday).

In 2016 The Bradipos IV after 11 years The Bradipos IV released their comeback record The Partheno-Phonic Sounds Of… It was a great record, and gauging by the hype at Surfguitar 101, a lot of people agreed. Thankfully we didn’t have to wait very long for the next one.

While Partheno-phonic was comprised of traditional neapolitan songs, the new record is a bit more of a straightforward instro record, especially as they tend to be today. That means a few covers, some dipping into other sub-genres (particularly Western in this case) and a bunch of originals.