The Wave Chargers made a big impression on me with their intial handful of EPs. Raw and lo-fi traditional surf recordings. There's nothing particularly unique about that, but they did it well, and in particular some of their covers brough out a viciousness missing from the originals -- that's not to say they did it better than the bands themselves, but I think we sometimes forget that even the classics might have been a little stiffer from studio stagefright.

I'm hard-pressed to think of a current surf band that's as straight-up delightful as Les Agamemnonz. Their image is outwardly ridiculous, robed in colored tunics and barefoot, coupled with some of the most inventive stage antics and a simply joyful attitude when playing.

To be a goofball is not necessarily to be an idiot. Balancing this out are their strikingly thoughtful recordings. Amateurs in particular feels equal parts big and small, ambitious but humble, and I think they're even recognizing this with their album art, gigantic redwoods dwarving the band.

I don’t know much about French surf power trio Beach Moonsters but they quickly had me thinking of another prominent French group: Hawaii Samurai. They’re tastefully clipped to sound loud, play fast, and generally keep it pretty stupid and fun. There’s one slower one “Before the Death of the Gringo”, but it’s by no means any softer. It’s hard to find much to say here, if power surf is your thing, I think your interest will be piqued.

The surf band with perhaps the most uncomfortable name since Bambi Molesters have finally released their first full-length, and that mindset of pushing out of the comfort zone is all over this thing. However, this isn’t achieved by merely adding a theremin or doing a spaghetti western song; it’s with unexpected syncopation, different guitar tones, subtle effects and instrumentation. Not only is the band trying new things, but the listener is challenged as well. And most importantly, it works.

X-Ray Vision as a technology is frequently thought of as gadgetry for means of espionage, and going by that definition it’s a surprisingly good fit for this band, blending spy tones with Astro-Man zip-zoop.

Central to this is the keyboards, swapping duty between swirling hammond-esque sounds and more futuristic electronic sounds and a few in-between. Sometimes in a fittingly spy manner, sometimes reminding me of their fellow frenchmen Les Tigres du Futur with a spastic approach.

It's been 4 years since The Irradiates' last LP Revenge of the Plants and though we've had some Arno de Cea & the Clockwork Wizards albums to keep us happy in the meantime, it might be a little disheartening to see that this is a collection of rarities, unreleased tracks and live cuts if you were expecting an album.

For whatever reason, I skipped over The Wave Chargers first EP, but now that they've struck again I'm paying attention. They play crashing, fast and loud trad surf with a lo-fi production. Definitely getting a little bit of an Apemen vibe from it and they namedrop Les Cavaliers and The Wangs, which I think are appropriate too. Though all tracks are great, the cover of Johnny and the Hurricanes' "Crossfire" really nailed it.

Digital download via bandcamp or 7" vinyl. Would love an LP from these guys.

With no releases from Arno de Cea in either the Clockwork Wizards or the Irradiates, 2016 felt kinda... safe (though Amphibian Man did his best). He's back though, with another album of impossibly huge guitars and apocalyptic panic.

This is the 4th release from The Chemist and even if you missed everything up to this point, the label should give you a good idea of what you're getting: loud, fast, power surf. Not just a trashy take on the 60's sound but instrumentals with oomph and size, definitely of the Man or Astro-man family. "Farm Nightmare" and "Kallocaine" change things up with the drumming and "escape from cerclon" has some theremin freakout. If you're like me, you need to have a regular intake of this sort of stuff, and this certainly does the trick.

The Grave Diggers play generally aggressive punk-influenced surf with tinges of horror surf. Those tinges are especially noticeable in the back-to-back Ghastly Ones covers. But this is a pretty fun record, they definitely know how to keep up a great energy and pump out a lot of sound for a threesome. Ontop of nice guitarism, they have a bunch of small little tweaks, sound effects, and quirks that add another level of interestingness. This isn't exactly the flashiest cover art -- with something a little more noticeable I think they'd deserve to get noticed.