The Dream of the 90s is alive, sometimes even in Portland. And this being surf music, that 90's dream is of the 60's I guess. The Bomboras are back, Pollo Del Mar is back, Bradipos IV is possibly more active now than in the 90's, I'm getting ready to see The Volcanos at SG101, we've even been promised Langhorns. Satan's Pilgrims are perhaps the least surprising, leaving at least one album in each decade since and having been on a bit of a streak in the past five years. However, this project was a dream of the 90's that has finally found light today.

The Desolate Coast entered the surf scene as a new project of Eric Cranfield of Seattle's The 'Verb, and that legacy echoed into the new band. Though Desolate Coast were certainly different, there were similarities in their guitar sound, their grasp of mood, and appreciation of misty pacific northwestern landscapes and grayscale-plus-pink displayed on album covers.

I remember when Northwest surf guardian Thom Head said I needed to listen to this local Seattle band The Delstroyers, and made sure I got a copy of their first EP. I remember hearing it and thinking he wasn't kidding. Since then it's been a lot of fun watching them go on to do bigger things. They released a blast of a debut LP, put out a cool 7" on Hi-Tide, and I've seen them play on two US coasts -- my then-unborn son even started kicking along to a pre-SG101 show, the first time he'd done that to music!

I've often seen talk of drum machines in surf but it usually seems like a solution for bedroom composing and the inability to form a band. I gotta say that most of the music I've heard with them is... eh. But there are some bands that have fused surf with synth and drum machines very well, such as earlier Messer Chups and Matorralman. Galactic Gold sounds like neither and pulls it off well.

After their promising 2016 EP "Here Come the Delstroyers" these Seattleites have thrown together a longplayer for us. And it's a lot of fun.

This is the debut EP from Seattle's Delstroyers. The play kick-em-in-the-teeth surf with a little bit of a horror edge to it. The winner of the 4-pack is "Take me to the Hell-Hop" with a some great guitar interplay, and moments of the guitars really cutting loose then cutting back. It's all good, fun, stuff that I could imagine being pretty fun live.

All four tracks are available for free download on their Reverbnation page. Looking foward to hearing what's next from them.