X-Ray Vision as a technology is frequently thought of as gadgetry for means of espionage, and going by that definition it’s a surprisingly good fit for this band, blending spy tones with Astro-Man zip-zoop.

Central to this is the keyboards, swapping duty between swirling hammond-esque sounds and more futuristic electronic sounds and a few in-between. Sometimes in a fittingly spy manner, sometimes reminding me of their fellow frenchmen Les Tigres du Futur with a spastic approach.

A new Black Flamingos! Should we expect them to broaden their horizons? Or will they stick to their blue-noted sour surf sound? Yes!

In 2014 the Del-Vipers came out of nowhere (technically Austin, TX) with the relentlessly charging Terror of the Del-Vipers, one of my favorite surf records of the 2010s. It's hard to believe it's only been 4 years since we've heard anything new from them, but Cannibal Safari is a welcome return. The opener "Cobra's Fang" is exactly the stuff from Terror, an aggressive first strike with pounding surf beat. "Kapu" is a bit more of a stomper, not quite subdued but dialing the tempo back from a 10 to an 8 or so.

Album Good.

Weird name, good band. Humanga Danga hail from Ghent, but I struggle to find much overt Fifty Foot Combo influence. Instead, their own stated influences of Space Cossacks and Langhorns sound just about right in the lead guitar tone: a good modern surf tone with a solid thunk to it and strong attack. It's helped out a lot but a very eager rhythm guitarist that's always punctuating the melody in interesting ways, sometimes making it hard to believe that there's just two guitars.

Firewalkers has had a long road. The original plan was to have it released at the 2017 SurfGuitar101, and The Mystery Men? even played the album in its entirety, essentially treating it as an album release. However, it missed that date and instead they released a preview EP called Embers with some choice cuts from the album. So naturally it felt like it was just around the corner. A year later, they released a GoFundMe revealing that they had been robbed and needed some help to see the light of day. And again, there were preview clips of this record, a few more crumbs.

That GoFundMe hasn’t been a roaring success (hint, hint) but Firewalkers is real. I have heard it. And it’s kind of wonderful that it will make its true debut, CD copies on-hand, at Southern Surf Stompfest, essentially their own event on their home turf.

This music isn’t about commercial success, so just about everybody’s in it for fun. So it feels kind of wrong to judge a band by how much fun it sounds like they’re having, but damn if these guys don’t sound like they’re having a little more fun than the rest.

In 2016 The Bradipos IV after 11 years The Bradipos IV released their comeback record The Partheno-Phonic Sounds Of… It was a great record, and gauging by the hype at Surfguitar 101, a lot of people agreed. Thankfully we didn’t have to wait very long for the next one.

While Partheno-phonic was comprised of traditional neapolitan songs, the new record is a bit more of a straightforward instro record, especially as they tend to be today. That means a few covers, some dipping into other sub-genres (particularly Western in this case) and a bunch of originals.

In surf music we don’t deduct points for being derivative so I’ll go ahead and confirm what you have already deduced from the album art: there’s a pretty heavy Man or Astro-Man? influence here But who among us thinks that the universe couldn’t use another Project Infinity? That’s basically what’s going on here: not so much the experimental, sciencey side of MOAM but the loud guitars and punk energy.

We are gathered here as worshippers of the vibrations of the guitar string, but stand before you today telling you that good surf music can be made with the guitar firmly relegated to a supporting role. Many of you may be quick to cry heretic, but the elders know that the saxophone was once a very respected rock & roll instrument, including in the surf realm.