Lots to worry about here. Dr Phobic serves up 10 instro-metal tracks with titles that end with the phobia suffix.

This is the second EP from Los Misterios, both of them with some pretty striking album art. By their own description, "4 gunshots that, if heard by Trump, he'd use them to invade some new planet." Their sound is generally pretty trad other than some very prominent (and welcome) organ. I think that element gets especially interesting on "Sexy Safari" but all of these are pretty fun.

Up for download or CD purchase on bandcamp.

Man, what a time to be alive. The Messer Chups (or in this case a side project of the Messer Chups) can release an album and you immediately have a chance to listen to it. You used to have to dig around for the one site that seemed to be holding them at the time. That said, if you're looking for a physical copy, that still may be the case as Trash Wax records doesn't have it listed yet.

More greasy fun from North Carolina's premiere Link Wray/Food tribute band. Huevosaurus may read as a Link-styled song, but it's a pretty direct cover of a song by Huevos Rancheros. Ham Biscuit is a goofy instrumental with a few vocals that belongs on those Frolic Diner compilations. As you'd expect from their LP that I loved, it's simple fun on both tracks. Cheapo download or you can order a 7" on green vinyl.

Brazil's Paquetá have been around for a less than a year but have already played over 50 shows and released several demos and live tracks. This is the first studio release, a better look at their sound. All five tracks are gritty, howling instrumental surf punk with psychedelic tinges. They hardly ever slow it down, full-on energy and power from start to finish.

Give it a listen!

This is the stuff that doesn't seem to fit into any other category. The stuff staking out a sound of their own. Not always difficult listening, but definitely fresh.

I only just recently found The Beyonderers (note the extra "er") and their excellent debut "Fourth Wave" and the new one is full of the same slammin' Astro-man energy. Unfortunately it appears they've lost their keyboardist, which made for a great electric howl on the last one that set them further apart from Man... or Astro-man? but the truth is this is surf: a lot of bands will sound similar and a lot of us are happy to eat up whatever sounds familiar, especially in the case of MOAM. Count me among them. The important thing is that the Beyonderers bring the energy and the power.

4 months of silence seems like an eternity from Amphibian Man, but he's back with a Spaghetti Western angle. He's learning how to slow down a bit, not just in terms on his release schedule, but on songs like the very steady "Ghost Town" and "Skeleton Pass". That said, there's plenty of action in here on songs like "Train Robbery".

The latest from Marshall and the Martins keeps it pretty trad surf - despite banjo in the second track and apparently some bagpipes somewhere. Though that second track "Weston" is a good one, the more it sticks to a trad surf sound the more I found myself enjoying the songs. "Bundamba", "Mulliwippi" and "Maxwin" all did a great job of tapping into a 60's locked-in mindset and surf mood, while the beach party numbers like "Steley" and "Melton" have that squeaky clean sound that a bedroom/collaborative album such as this one often has.

After 2 EPs with similarly crude album art, this very persistanly robot supremacist band has put out their first LP. While one might expect clean sinewave tones from a robot band, Tsunamibots actually have a pretty trashy tone with occasional sound effects thrown in. Song structures are simple, easy to bounce along to and despite their forceful message, they still know how to have fun. Take the lighthearted beach party number "Robotic Meltdown", which even cuts loose enough to include handclaps -- presumably made with repurposed human meat.