The Deep are a trio from Germany that, despite the simplistic surf-ish cover, have a lot of big ideas. This is not your 60's surf by a longshot, taking more cues from moodier groups like Bambi Molesters or maybe the Mermen and focusing a bit more on sound than an infectious beat. The result is cinematic, somewhat psychedelic, and a surf record that engages your frontal lobe a bit more than your lizard brain. If you're a fan of the Aussie band The Break then this might work well for you.

Regretfully it wasn't until the end of the year that I actually sunk my teeth into The Isotopes' 2016 release Overstay Their Welcome. Looks like they're already back with a new one, and this time I'm paying attention.

Doyley and the Twanglords is an all-instro pursuit from Diablo Records owner Philip Doyle, who has played guitar for rockabilly and psychobilly bands like Guitar Slingers, Demented Are Go, and The Klingonz. Like many 'billy nuts out there, he's got a penchant for surf as well, and this is a compilation of his instrumental efforts over the last 20 years.

For a while WJLP's Petomaniac was one of the best free surf/instro albums you could find on bandcamp. They've since decided to get paid for it, though still pretty damn affordable (and very worth it) at €5. Though they've sprinkled instrumentals here and there since then, but they're back to a full instrumental record with a spacey sci-fi movie theme.

After a series of great EPs, The Cavaleros have finally gone and put an album together. If you've been following them this far, nearly all of these will be familiar to you. Heck, half of them are covers, so that might still be the case if you've never heard them. Still, there's reason to be excited, because The Cavaleros are exciting! Their loud and raw sound is fast and punchy and just the right amount of lo-fi. It takes a special breed to do a Link Wray cover that doesn't just make you want to hear the original and The Cavaleros do that twice. Their originals fit in perfectly too.

Everything on bandcamp and social media about Spacecramp is meaningless nonesense, so I guess I kinda expected something more ridiculous in the music. But we've actually got a pretty straight-faced though fun instro record. There's not exactly all that much surftone; it's more reminiscent of Shadowy Men on a Shadowy Planet. It starts out with the fun and energetic "Whistle Monkey", but also swings into a spacey sound with the later half of "Whip-n-out Burger" and even gets kinda nice and sweet with "(two) Hands".

If your idea of Russian surf is steeped in B-movies and creepiness, Air Cats band are here to show you a brighter side with a more Shadowsy/Rautalanka guitar tone. Their songs are adventurous but cool, with a tendency to get bouncy rather than nasty ("Billy Bones Boogie") and mysterious rather than creepy ("Hours & Minutes"). It's a fun record to sit back and enjoy the ride, and your wallet can sit back too: free download.

Black Flamingos' name and album art suit them well: fun and exotic, but with a sketchy side. There is a beach party going on for sure, but somebody said they saw a shark. 

With no releases from Arno de Cea in either the Clockwork Wizards or the Irradiates, 2016 felt kinda... safe (though Amphibian Man did his best). He's back though, with another album of impossibly huge guitars and apocalyptic panic.

This is the 4th release from The Chemist and even if you missed everything up to this point, the label should give you a good idea of what you're getting: loud, fast, power surf. Not just a trashy take on the 60's sound but instrumentals with oomph and size, definitely of the Man or Astro-man family. "Farm Nightmare" and "Kallocaine" change things up with the drumming and "escape from cerclon" has some theremin freakout. If you're like me, you need to have a regular intake of this sort of stuff, and this certainly does the trick.