After a series of great EPs, The Cavaleros have finally gone and put an album together. If you've been following them this far, nearly all of these will be familiar to you. Heck, half of them are covers, so that might still be the case if you've never heard them. Still, there's reason to be excited, because The Cavaleros are exciting! Their loud and raw sound is fast and punchy and just the right amount of lo-fi. It takes a special breed to do a Link Wray cover that doesn't just make you want to hear the original and The Cavaleros do that twice. Their originals fit in perfectly too.

Everything on bandcamp and social media about Spacecramp is meaningless nonesense, so I guess I kinda expected something more ridiculous in the music. But we've actually got a pretty straight-faced though fun instro record. There's not exactly all that much surftone; it's more reminiscent of Shadowy Men on a Shadowy Planet. It starts out with the fun and energetic "Whistle Monkey", but also swings into a spacey sound with the later half of "Whip-n-out Burger" and even gets kinda nice and sweet with "(two) Hands".

If your idea of Russian surf is steeped in B-movies and creepiness, Air Cats band are here to show you a brighter side with a more Shadowsy/Rautalanka guitar tone. Their songs are adventurous but cool, with a tendency to get bouncy rather than nasty ("Billy Bones Boogie") and mysterious rather than creepy ("Hours & Minutes"). It's a fun record to sit back and enjoy the ride, and your wallet can sit back too: free download.

Black Flamingos' name and album art suit them well: fun and exotic, but with a sketchy side. There is a beach party going on for sure, but somebody said they saw a shark. 

With no releases from Arno de Cea in either the Clockwork Wizards or the Irradiates, 2016 felt kinda... safe (though Amphibian Man did his best). He's back though, with another album of impossibly huge guitars and apocalyptic panic.

This is the 4th release from The Chemist and even if you missed everything up to this point, the label should give you a good idea of what you're getting: loud, fast, power surf. Not just a trashy take on the 60's sound but instrumentals with oomph and size, definitely of the Man or Astro-man family. "Farm Nightmare" and "Kallocaine" change things up with the drumming and "escape from cerclon" has some theremin freakout. If you're like me, you need to have a regular intake of this sort of stuff, and this certainly does the trick.

At 19 songs and just short of an hour, there's a lot to digest here. Surf Out! is a duo with some help from friends playing garagey trad surf. At times that duo-ness sounds Flat Duo Jetsy, like on "Tango Whiskey" but they'll also do these slower numbers like "Sunsets and Surfboards". I think "Mariposa" strikes a nice balance between moments of elegance and a damn-it-all grab to make some noise. "Don't Freak Out" almost has a Dinosaur Jr grungey sound to it, and "Big Surf in Winnetka" takes some surprisingly odd turns towards the end.

Some straight trad stuff from Culebra here with a focus on melody over racket. Though guitar is at the forefront, the little touches of sax and organ are a nice sub-surface flourish. Though adequate, I think the sound production here isn't doing these songs justice -- there are some nice, memorable tunes here but they don't present themselves well on first listen. My favorite is the opener "Tres Palmeras"

You can buy it on 7" vinyl or digital download from Bandcamp.

The Terminators play fast, mean, and short surf instrumentals with what I assume is humorous Russian stage banter peppered throughout. It's extremely short, with each song coming in at less than 1 minute and 30 seconds when you skip the talking, but those instrumentals are worth it! They're well produced, well played, and full of energy.

I can't find much else on them, but I like what I've heard.

Apparently they've released more material this year so I'll embed all three. Each are pay-what-you-want.

So close to being able to say "Release the Kraken". Anyway, Z and the K's are a trad surf band out of Copenhagen playing 100% covers, including some from the 90's and onwards. I was surprised at how naturally they could fit songs by The Atlantics, The Ghastly Ones and Man or Astro-man right next to more standardized surf standards like Pipeline and Squad Car. Speaking of cohesiveness, the second half of the album was live but a nice enough recording that the talking before and after the track was the main giveaway.