Sheverb noticeably have one of the surf community's favorite words portmanteau'd into their name, they've played surf shows like Austin's Surf By Surf East, and surf fans love 'em -- at a previous SG101 convention I remember hearing several people rave about catching them a few days before. But they've always been more of a spaghetti western band, which again has never stopped twang-loving surf fans, but I think it's best to set expectations: there's not much surf here. On She Rides Again, Sheverb have leaned into psychedelic effects, hypnotic rhythms, and desert-rock riffs.

It's December, I'm very busy working on the Gremmy Awards, but I have to squeeze in a review because this was sent to me months ago before the aire was frigid. And I would guess that Chad and Cherry won't be reviewing it, so somebody has to!

Bandcamp may have changed hands again recently, but it looks like they're still giving up their portion of sales on the first Friday of every month, so "all" of your money goes to the artists (so long as you count Paypal as an artist). And as semi-usual, I'll draw some focus to recent surf releases worth a look. October is always a big month for surf releases as bands try to cram stuff in before Halloween, but that hasn't started yet, so this is mostly un-spooky. I also didn't get a chance to do one of these last month, so it's reaching back a little further.

Back in 2016 Amphibian Man came out of nowhere with eight fantastic, high-energy releases in the span of about a year and a half. Things have changed a lot since then. The one-man project turned into a band, played shows, released a few more albums that were more of an instrumental skate/post/punk sound. And of course being from Ukraine there's there's the aspect of having your homeland invaded from Russia, a topic that I don't think I can begin to wrap my head around.

Music reviews typically are here to answer one question: Is it any good? I operate by a "if you don't have anything nice to say..." rule so my answer is always either "yes" or I avoid answering. However, a new Ventures record is under heavier scrutiny, and will likely face nastier questions like, "Are these actually The Ventures?" and "Should I even care?" After all, this is their first LP in 24 years, and the lineup contains zero original members.

Oh no. It's another Bandcamp Friday and I still have so much stuff to write about Surfguitar101 Festival. But there have also been so many releases I want to talk about! So as usual, I'm going to challenge myself to be as brief as possible while still saying something substantive. Buy these records!

The new surf label House of Tabu is releasing Archipelago: The Great Hits of the Madeira. Normally I wouldn't review a greatest hits album. There are certainly plenty of new releases that I'm not reviewing that are more worthy than talking about songs I already know. But I thought it would be a fun exercise to approach this differently: how about I make my own greatest hits and see how it matches up?

The next Bandcamp Friday is in August and I've come to rely on these to push myself to do quick reviews of recently released surf music. In the meantime,  Bandcamp honors Juneteenth by donating their share to the NAACP Legal Defense Fund, a worthy cause for trying to buy more music on that day.

The Dream of the 90s is alive, sometimes even in Portland. And this being surf music, that 90's dream is of the 60's I guess. The Bomboras are back, Pollo Del Mar is back, Bradipos IV is possibly more active now than in the 90's, I'm getting ready to see The Volcanos at SG101, we've even been promised Langhorns. Satan's Pilgrims are perhaps the least surprising, leaving at least one album in each decade since and having been on a bit of a streak in the past five years. However, this project was a dream of the 90's that has finally found light today.

The Desolate Coast entered the surf scene as a new project of Eric Cranfield of Seattle's The 'Verb, and that legacy echoed into the new band. Though Desolate Coast were certainly different, there were similarities in their guitar sound, their grasp of mood, and appreciation of misty pacific northwestern landscapes and grayscale-plus-pink displayed on album covers.