I've often seen talk of drum machines in surf but it usually seems like a solution for bedroom composing and the inability to form a band. I gotta say that most of the music I've heard with them is... eh. But there are some bands that have fused surf with synth and drum machines very well, such as earlier Messer Chups and Matorralman. Galactic Gold sounds like neither and pulls it off well.

Chad Shivers (organizer of the Southern Surf Stomp, plays in The Mystery Men?, KBK, plenty of others bands) champions The Flying Faders’ debut album No Sweat as one of the best surf albums of the past 10 years. I like it, but it never quite grabbed me enough. I couldn’t tell you why, and I can’t tell you why their new LP seems to fix whatever it was. Tectonic Shifts is a great album.

The over-the-the top party feeling that you get from a band name that seemingly promises you both sex and (presumably) butt-shaking feels kind of ironically imposed when you actually listen to this album. It’s not sad or particularly listless or anything, it’s totally danceable, but there’s a sour and strange feeling to this. My first thought was a sort of vaporwave via surf, but I think something closer would be a Twin Peaks comparison. Not so much directly to Angelo Badalamenti, but the feel of the show itself.

This is a band that’s straight-ahead with their delivery, so I’ll do the same: El Zeb nail it.

Let’s jump straight to what’s important here: percussion.

A lot of bands reach for that spy sound, and while some try to get there via mimicry of John Barry, the real key isn’t in what you’re twangin’ but what you’re bangin’. Maeds Dominos sometimes have the snare restricted to surbeat, but you can expect it to be joined by bongos, glockenspiel (?), tambourine… it’s extremely well done and expands the whole feeling of the songs beyond mere guitar aggression.

Of all the different directions that Amphibian Man has taken, this was the easiest to see coming. Shortly after releasing No Surfers In My Town, Amphibian Man started posting videos of surf versions of metal songs, so here they are compiled into an album.

Y’all, I do my best to stay on top of this stuff, so I felt like a chump when I walked up to the merch table at our local Messer Chups show to find an album I’d never seen before. Their new one no less! To be fair, Mondo Harp has been strangely under the radar, with barely any mention on facebook and not yet having made its way to bandcamp or even Amazon. The opening track “Humanica” has a video available but it’s promoting the tour, not the album.

I’ve been looking forward to this album for a good while now, especially since I saw the artwork way back at SG101 last year. Though the album cover evokes a bit more narrative and intrigue than anything they’ve had previously, it wasn’t the draw of something new that attracted me – it was the promise of what The Volcanics always provide.

The opening track “Song of the Samurai” establishes the vital statistics of this band: speed, guitar pyrotechnics -- stuff I like but not necessarily standout features. Good song, but there’s more to this band. Cherokee Astro generate a good momentum but also a good sense of warmth and emotion in here.

The surf band with perhaps the most uncomfortable name since Bambi Molesters have finally released their first full-length, and that mindset of pushing out of the comfort zone is all over this thing. However, this isn’t achieved by merely adding a theremin or doing a spaghetti western song; it’s with unexpected syncopation, different guitar tones, subtle effects and instrumentation. Not only is the band trying new things, but the listener is challenged as well. And most importantly, it works.