A new album from Arno de Cea and the Clockwork Wizards is a stop-what-you’re-doing thing. He’s on top of his game and delivering a surf sound that nobody else has. But admittedly, two tracks in I found myself a little apprehensive about writing this review. What more is there to say about his nearly-perfected, patentable Brutal Surf? After two albums of the stuff, are there any worlds left to obliterate? 

New Orleans’ instro scene is a weird one but as of lately a surprisingly active one.

It’s been great watching Blackball Bandits find their way from a couple of bandcamp so-called-demos to a proud members of the Double Crown roster (and featured on the soundtrack to a remake of one of my favorite games). They’ve done a great job of retrofitting retro surf feel and attitude to more modern surf song structures.

Everything Volcano Kings has released has warped surf in exciting ways and done so in such an expert way that it seems like it must come easy. Despite the title, this is surf guitar before it's crime jazz and noir, but it you can find that pounding forward-moving drive of crime-jazz and some smoky mystery from a noir. But then you've got "Mechanical Beast" like some sort of steampunk wild west soundtrack and some cyberpunk electronic mayhem on "Night Life". They're all over the place, but everywhere they go is great.

The Terrorsurf have a new LP of trashy surf tunes and even pressed it to vinyl. Bands with a lo-fi sound like theirs often seem like a weird fit for vinyl but it turns out this is a bit nicer of a sound than they had on their 2016 debut under this name. They’re not really lo-fi anymore (they claim to be Zombiphonic Hi-Fi) and they’re better for it: it’s still got a punk momentum and it’s still usually dealing in a low, scummy mood (but not always!). They’ve also added a second guitarist, expanding what they’re able to do in a big way.

Hypnotide's debut LP Landlocked was a surprise favorite from 2015. With only 6 tracks, Hypnotide can't possibly show the same flexibility with their sound that they did on the LP, and they don't really attempt to.

After 6 years without a release, Y Niwl (pronounced Ur Nyool) have emerged with a new sound. For lack of better terminology, it's a bit more "indie' with guitar tones more in-line with modern music and with the keys (still prominently featured) expanding to different tones as well. I like it. They keep their whimsy from earlier works but have moved into something a little more expansive sounding.

It's been 4 years since The Irradiates' last LP Revenge of the Plants and though we've had some Arno de Cea & the Clockwork Wizards albums to keep us happy in the meantime, it might be a little disheartening to see that this is a collection of rarities, unreleased tracks and live cuts if you were expecting an album.

Let me suggest that you skip the first track. It's a good song, but it's got a thin garage-surf sound that gets the wrong idea across.

The sophomore release from De Surfures has me wondering why I didn't pay much attention to their first. This album is full of punchy modern surf instrumentals with a great grit and momentum to them, with a few fun twists thrown into the mix. The mix on this is a little funky, with the percussion way up there and guitars at sometimes nearly subliminal levels, and it feels like that mixer is moving around pretty often. It takes some getting used to, but in the end I think I like it. It's a unique sound and it doesn't lose that core rock & roll feeling.