Here are 11 originals from Italy's Surfoniani. They've got upright bass, some very drippy guitar and drums, which gel into a bright and sunny modern trad sound. They've got a fair amount of beach party shakers like "Bikini", "Mai Tai Girl", and "Tiki Twist" though also a few cooler ones like "Red Waves". Give it a listen!

Amphibian Man released an LP less than three months ago, so I certainly wasn't expecting more from them, but I'm glad we got this one. "Speed Power Turbo Racer" also happens to be the name of all four tracks on this, and they all get the point across - this is 100% about speed and power to an almost overwhelming extent. Once you get settled a little bit, there are actually some good melodies driving these songs, and at 4 tracks it's over before it's too much -- unless you find it's too much immediately! Really fun EP from these guys and it's completely free to download.

The Kanaloas are the latest group to be brought into the Double Crown gang. Though they've been around for a good while, they stuck to 7"s up until this point and might have passed you by (admittedly, this was the case for me). Now they have an 11-song LP under their belt with a simple but pretty choice of album art that broadcasts one thing loud and clear: "Trad". The Kanaloas perform in suits, and serve up 60's styled originals and a few obscure covers. I haven't gotten a copy of this yet, but they have a proven track record and the Double Crown seal of quality. Hard to argue!

The Coffin Daggers' self-titled LP was a mainstay on Storm Surge of Reverb back in the WESU days. It struck a really great balance between loud, thundering power and traditional surf sensibilities. As I've suggested about The Madeira's first record, it would be very difficult for them to ever dethrone that effort due to my impenetrable personal bias.

I've picked up a few Hang-ten Hangmen EPs a while ago and enjoyed the melodies that came through their goofball lo-fi horror sound. Maybe I missed the switch, but this EP seems to have shifted in a more modern trad direction. Not that I didn't like the old version, but the clips I've heard sound like the change has suited them well! It's punchy, bright, bouncy, and well recorded. You can download it from CDbaby here.

I don't know too much about Kozyol - despite being based in Portaldn, I'm guessing at least one of their members is Russian, which would explain why some of these songs are in what I assume to be Russian. Definitely pretty funny for me, writing this on a trip to the nation of Georgia and having just gotten back from the Stalin museum. That really doesn't have anything to do with anything.

The Moths keep at a pretty quick pace both musically and in terms of a release schedule, with 3 releases since last January. Like those others, this is aggressive, loud, and rude. The Moths are only a 3-piece, so they rule with tight playing and power rather than intricacy and composition. And that's fine, they do it well. Free download, give it a try.

Though recently released, this one is actually pretty old! I'll go ahead and quote their bandcamp page here.

Here is our Incredably difficult second release which has taken nine years to actually release. We got carried away with the recording by using way to many mics on the guitar amp and way too many takes multi tracking and adding extra instruments computers were a lot slower nine years ago and we ended up with an over welming 26 Gigabytes of sound files.

Spaghetti Western and surf have become closer and closer friends in the 2000's and onward, to the point where by now surf groups have taken the guitar parts of Morricone, broken them down and rearranged them so much as to have built their own vocabulary with them. What I'm saying is that while there's a recognizable Spaghetti Western sound to Los Tiros, nobody is mistaking them for a Sergio Leone soundtrack. It's much wilder, much less restrained, more horsepower (hee haw), more punk than Morricone would ever even think about. And that's not only fine, it rules.

This is the debut album from The Syndicate, and it features a slew of covers from punk legends like the Ramones, Sex Pistols, The Seeds, The Dictators. Despite those clear influences, the resulting sound is definitely more surf than punk, full of reverb and twang and adding a brightness and spaciousness to songs that often didn't have them in their original form. If you didn't know what you were listening to, you might not even realized it's a cover the first time you hear it --and that's a good thing.