As many of you are aware, Davie Allan has not exactly been hibernating: he's been pumping out new material on a steady basis since the 90s. However, they're usually self-released and on CD. So thanks to Joel Grind he's not only seing a vinyl release, but it's on the legendary metal label Relapse. While tribute albums don't usually feature the artist that tribute is being paid to, it does feel like that's what's happening here and it's all very fitting.

Tsunamish have been on a steady one-EP-a-year release schedule so far, and this should please if you've been a fan of them this far. For the most part it's upbeat modern-traditional surf rock, though there's a bit more of a punk sound on their Bad Religion cover of "We're Only Gonna Die" and they have vocals on their cover of Holly Golightly's "There is an End".

I've always enjoyed Tsunamish's album art and though the woman on the cover is certainly not showing Amish modesty, this is probably my favorite so far.

One of the things I like about instrumental music is that you're free to craft your own narrative from the music. This is still the case with Los Surfer Compadres' new album, but they've given you a lot of thought pieces to help you along on their album art: surfing with swords, aliens, a cookout, a protest, a bird with a ring on its talon, an angry god...

This looks like the debut EP from Minnesota's Thee Sturgeons, and they have a lot of fun with it. The most straight-forward surf is "Giant Squid Attack" which already has some fun tradeoffs between guitar parts, but tracks like "Sand Dune" is where I think they're really coming from. Surrounding its middle-eastern flair, is a surprisingly loud fuzzy bass bubbling into a weirdo bellydancing beat with farfisa hovering all around.

While I think it has gotten better in the 2010s, I think it's understated how often poor sound engineering has held back an otherwise decent surf record. What we have here is the opposite story. Genki Genki Panic's previous releases weren't hampered by their production, but "Spooky Fingers" makes an amazing impression in an instant, setting a brand new idea of what this band is about.

We've got a new 7" out from the Thunderchiefs: trad surf maestros from Austin, Texas. I haven't heard this one yet, but their split with The Surfites "Surf Nut" was well worth it. You can order it from Space Case Records. As far as I can tell, this one is wax only, nuthin' for your hard drives.

Les Tigres du Futur have a sound unto themselves, yet familiar enough for the impact to be immediate. As much as this is a guitar-centric site, they mostly serve as the crunchy, grinding infantry force. Leading the charge is the whirlwind keyboard, which deftly straddles both psych/prog mystery and adventure and a hip-shaking mod beat. If that doesn't sound very surf, it's because it's not; I don't hear a shred of Dick Dale, Ventures or even Shadows in this -- MAYBE Davie Allan or Link Wray but only because I'm looking for it. It's instrumental rock & roll though, no arguing it.

Two weeks after releasing their Speed Power Turbo Racer EP, Amphibian Man have YET ANOTHER release. This is about as easy of a write-up as it gets: heavy surf covers of songs from the Contra Nintendo game. It's as awesome as it sounds, and it's a free download.

This is the debut EP from Seattle's Delstroyers. The play kick-em-in-the-teeth surf with a little bit of a horror edge to it. The winner of the 4-pack is "Take me to the Hell-Hop" with a some great guitar interplay, and moments of the guitars really cutting loose then cutting back. It's all good, fun, stuff that I could imagine being pretty fun live.

All four tracks are available for free download on their Reverbnation page. Looking foward to hearing what's next from them.

Though the Phantom Operators never keep you waiting long for more material, this is the second full-length from the Tennessee-based group. When listening to them, there's one word that comes to mind: desolate. The guitars go on and on, but with a bit of a melancholy and not so much of that California brightness. It fits the desert theme that runs thoughout much of the Phantom Operators' material.