B11 have a playful, experimental approach to surf, with an almost jazzy atmosphere to it. The wonky, showy guitar licks remind me of Double Naught Spy Car or even Shadowy Men. They pick up a bit with a more traditional surf song at the end with the title track "Surf My Spy". Give it a listen-see.

This is the debut EP from this powerful Canadian quintet. The Gnarly Ones' aesthetic suggests a metal or punk influence, but this is pretty straight surf, maybe with a mean face on. They've even got a ballad in there with "Pontiac Sunfire", though the rest are loud, pounding, and dangerous. It's very well produced, sounds great when you turn it up, and the saxophone definitelty adds but doesn't overpower.

This one has actually been floating around as a vinyl and CD release for a few months now, but it wasn't clear to me where your average internet-surfin' joe could get it. That answer is now free on bandcamp.

Los Freneticos' previous LP "El Playa" was a great little surf album with plenty of nice tunes, but I didn't see a hint that they were heading towards something as ambitious as this. The description on their bandcamp page calls this "a lesson that reviews the A to Z of contemporary surf rock sound" (translated) and they certainly do make an effort towards that. I believe Los Freneticos are a quintet, but they frequently stretch out a bit further than that with an extensive cast of guest musicians playing flamenco, pedal steel, trumpets etc.

I'm way late on this one, but if you're able to spook out in the pre-Christmas season then I'd suggest you head over this way. The handful of psychobilly vocal tracks suggest that influence over all the tracks, but there's a surprising amount of variety despite keeping a consistent tone. "Cramped" sits somewhere between an obvious Cramps nod and Link Wray, and "L'Hiver" and "The Buzzards Claw" have a similar slow crawl. "Surfing Sasquatch", "Berenice" are more familiar horror surf, while "Blue Drag" has a Flat Duo Jets sound and "Pants Party" gets downright jazzy.

Stories from Shamehill are a three-piece from Amsterdam, and though they've been together since 2012 I believe this is their debut EP. They have a solid modern surf sound, not overdoing the reverb and keeping a good upbeat pace. My favorite is the  relentless momentum of "The Cannonball Rum Theme", though it is always nice to have a plain ol' wave-rider like "Toes on the nose, Bros".

Just two months ago Blackball Bandits released their debut demo, which I thought was too good to be called a demo. They've also called this one a demo, and at this point they're really pushing it. This is a little bit different than the last one: not as rough-and-tumble, less punk and less spaghetti western.

The Cavaleros are clearly descended from the Link Wray tree of instrumentals, with ragged blown-out guitars and, of course, a Link Wray cover right at the second song - a good one at that. The opening track essentially a cover of the Frantics' Werewolf, and a song that fits their rough attitude well. The real winner here is the one that I believe tro be an original: Chinese Takeaway. When they get to speed the Cavaleros really take off and make a furious racket.

West Samoa Surfer League has two members of the Space Rangers who released an modern classic with "Ready to Take Off". They seem to like to keep it simple: their album art essentially only changed colors, and just like last time we've got 6 songs (two of which are covers). Their sound is pretty trad surf, with some real nice Astronauts drip on rhythm guitar on "Welcome to Malibu" and "Buhne 16 twist". They tend to lean towards a thunderous walk rather than a screaming sprint. If you were a fan of their last EP, I think you'll need to pick this one up.

The Green Reflectors are a mean and lean twosome out of Nova Scotia. Earlier this year they released another self-titled LP, which definitely had some strong Flat Duo Jets vibes emanating from it: mean guitar and poundin' drums with a lot of teeth and energy. The main thing that has changed here is the recording: they moved out of the basement and into an actual recording studio.