Par Avion clearly love the surf sound, but don't let it get in the way when they have other ideas. "Unchained Melody" has a great Duane Eddy meets modern-surf twang to it and sets the tone well for the rest of the album. But then the song "Par Avion" has a less motivated, more post-punk melancholy to it. Then the next song features a cello, the next one has a great orchestral spaghetti western sound to it, but then there's a pretty straightforward cover of Misirlou.

I love it when a new release slides into my hands during my radio show. Without more than 3 seconds of screening beforehand, I hit play on "North Bank of Lost River", which starts with an envigorating swell... then loud prominent vocals. It's an instrumental radio show, so I jumped a bit, but I was actually pretty durn excited about the instrumental underneath. When I got a change to listen to the entire thing, I found that the majority of the tracks were still instrumental, and a great improvement over the already quite enjoyable "Dragstrip Murder Mystery".

Ace Records continues their "Birth of Surf" series with a brand new Volume 3, curated by Alan Taylor and Dave Burke of Pipeline Magazine. Like the others, it's a total mix of basic-level surf songs to nearly unheard-of rarities. I'm pleased to see Johnny and the Hurricanes' "Sheba" on there - pretty common if you're digging for 45s, rarely finds its way to compilations, and it's easily my favorite song of theirs.

A live album from the band that I can't help but think of as "that band with the boobs on the album cover". Great trad sound, really sunny and fun and well-played, with a few sound clips thrown on in-between songs. It definitely does sound live, but that really only becomes a factor on the few vocal songs, where the vocals dwarf the instrumental mix. Otherwise, there's a great energy and bounce to it throughout.

Las Olas may have a mostly trad sound to them, but they're not exactly going for a sunny SoCal vibe. Like the ashy cover art suggests, this is some dark, hopeless surf. Not necessarily slow and dreary - there are some frantic songs like "violeta", but definitely not smiling at you.

You can stream it on bandcamp, or just download it for free!

It's been 50 years since Apache '65, the first LP by the Arrows, and Davie Allan has released TWO albums to commemorate this. He explained this in the interview I did with him the other day: he was working on the 50th Anniversary album and was worried that the people at Curb records were taking too long to clear the rights to those songs, so he went ahead and started working on King of the Fuzz.

From what I'm gathering, "Cojonudo" translates to "ballsy", which I think explains the near-nude cover of this record. I say near-nude not because of the guitar, but because I think I spy the strap of his tighty-whities at his hip. Then I realized I was looking at this way too hard.

I was a big fan of Die Krabben's Welcome to Surf Trash Island released last year, even giving it a Gremmy honorable mention. Mining the Gyre has the same weirdo creepy surf-meets-Beefheart thing going on, with a few good instrumentals, a few essentially surf songs with a deep trollish voice grumbling out lyrics. It's kinda like if Reverend Beat-man had more of a surf angle.

After 8 years as a band without so much of an EP to their name, Luau or Die went ahead and made TWO EPs in 2015, almost entirely originals. It's fun, adventurous, and has a good helping of swagger to it. Give it a list, and while you're at it you can check out Vol. 1

Iowa's biggest surf act (probably by default, but by merit too) just dropped a nice live record. The sound is clean, better than plenty of studio albums I've heard. The songs seem to be all over the back catalog, a great place to start if this is your first introduction to the Surf Zombies.

The digital download is nice and cheap, but they've also got a CD that you can buy.