Reading their facebook page, I'm having a hard time telling whether this is a farewell EP or if Sonic Nightmare is merely saying they're dead for the purposes of a Halloween EP. Either way, I do have things left unsaid: I never made a release notice for their split EP earlier this year. This is predictably some creepin' horror surf, but my favorite is the disjointed and surprisingly danceable "It Comes From the Grave".

This is the second Messer Chups LP this year and much like The Incredible Crocotiger it's been hard to find. They made a post on facebook saying it's out and didn't respond to the masses asking "where?".

Genki Genki Panic may have already released an LP this year, but managed to squeeze in another small spooky one before Halloween. Two of these are covers: White Zombie's "Soul Crusher" and a Misfits cover (always appreciate another misfits cover) in "Return of the Fly". The title track "Vaya Con Diablos" is actually a creeping vocal track.

This one's a free download. They do have CDs for sale for a cheap $5. Release date says October 31st but CDs ship Oct 23rd. Yes, that's how you do it!

This is the second LP from The Silicon, and it covers a lot of ground. There's some shredders like "Mysterious Island" and the title track "Tiki Tohoa", and some western tracks like "Road to the Ranch", and I pick up a lot of rautalanka and shadows influence on others. They bill themselves on bandcamp as post-Soviet surf-rock and I can't help but think of the Surfbeat Behind the Iron Curtain compilations. Maybe they should feature on a modern equivalent of that!

Give it a listen!

Par Avion clearly love the surf sound, but don't let it get in the way when they have other ideas. "Unchained Melody" has a great Duane Eddy meets modern-surf twang to it and sets the tone well for the rest of the album. But then the song "Par Avion" has a less motivated, more post-punk melancholy to it. Then the next song features a cello, the next one has a great orchestral spaghetti western sound to it, but then there's a pretty straightforward cover of Misirlou.

I love it when a new release slides into my hands during my radio show. Without more than 3 seconds of screening beforehand, I hit play on "North Bank of Lost River", which starts with an envigorating swell... then loud prominent vocals. It's an instrumental radio show, so I jumped a bit, but I was actually pretty durn excited about the instrumental underneath. When I got a change to listen to the entire thing, I found that the majority of the tracks were still instrumental, and a great improvement over the already quite enjoyable "Dragstrip Murder Mystery".

Ace Records continues their "Birth of Surf" series with a brand new Volume 3, curated by Alan Taylor and Dave Burke of Pipeline Magazine. Like the others, it's a total mix of basic-level surf songs to nearly unheard-of rarities. I'm pleased to see Johnny and the Hurricanes' "Sheba" on there - pretty common if you're digging for 45s, rarely finds its way to compilations, and it's easily my favorite song of theirs.

A live album from the band that I can't help but think of as "that band with the boobs on the album cover". Great trad sound, really sunny and fun and well-played, with a few sound clips thrown on in-between songs. It definitely does sound live, but that really only becomes a factor on the few vocal songs, where the vocals dwarf the instrumental mix. Otherwise, there's a great energy and bounce to it throughout.

Las Olas may have a mostly trad sound to them, but they're not exactly going for a sunny SoCal vibe. Like the ashy cover art suggests, this is some dark, hopeless surf. Not necessarily slow and dreary - there are some frantic songs like "violeta", but definitely not smiling at you.

You can stream it on bandcamp, or just download it for free!

It's been 50 years since Apache '65, the first LP by the Arrows, and Davie Allan has released TWO albums to commemorate this. He explained this in the interview I did with him the other day: he was working on the 50th Anniversary album and was worried that the people at Curb records were taking too long to clear the rights to those songs, so he went ahead and started working on King of the Fuzz.