Based on their barely started facebook page, this record is a "Hello World" moment for the Lurids. For coming out of nowhere, it's surprisingly well put together. The Lurids have a bit of an ominous tone played over aggressive instrumentals with a good bit of punch to them. Give it a listen.

At last the debut album from Boss Fink, featuring members of the Ghastly Ones, Thee Cormans, and The Huntington Cads -- definitely some A-list pedigree. They had a great 7" out on Double Crown last year that confirmed what we had hoped out of them, but I think everybody was *really* waiting for the full length. Wait no longer! From what I've heard this is a pretty straight-ahead trad sound but plenty aggressive and mean. Here, watch some youtube

If you've listened to my show enough you've probably figured out that I've got a thing for Peruvian chicha music, and the similarities to surf rock should be apparent enough that that wouldn't be surprising. I find it amusing that while there's some great surf in Peru, the bands that seem most faithful to the sound appear to be everywhere else.

This looks like the first record in about 5 years from the masters of moody surf The Aqua Velvets, and if you were already a fan you should feel right at home. If you're new to them, expect slow, perhaps lonely surf guitar with flamenco touches, sparse percussion, and still plenty of reverb. I'd put them close to a band like Friends of Dean Martinez but still on the surf side. Big Lazy sound similar as well, but the Aqua Velvets predate them significantly.

When you're always on the lookout for surf groups, it helps to have a good gut feeling for them based on the name of the band and album, maybe even the songs. That's true for both the new stuff and the vintage stuff. The Baltic Side would have failed that test: The band name doesn't sound surf, "Hope" isn't really something I associate with surf, neither are song titles like "Believe", "Pilgrim", and "Rainbow". Nothing wrong with those names, they just don't register as a blip on my surf radar.

I love Jean Claude Van Damme, so I want to thank Timecop Beach Party for linking him to the surf world via his movie Timecop. But putting the King of Kicking aside, this album came outta nowhere and surprised me. Timecop Beach Party play fast and their tone often dips into pretty heavy territory, but the overall mood is fun and light-hearted. I really think it all comes together especially well in their song "Set Phasers to Chill". Give it a listen for yourself 

Throughout his work in Stef & Arno, Antena Tres, The Irradiates, and Arno De Cea & The Clockwork Wizards, Arno de Cea has proven himself to be one one hell of a psycho, frantic, and all around excellent guitar player. At some point calling it "surf rock" sounds too leisurely, not desperate enough, no matter how big the imaginary wave. From the very first note of "Bug Terminal" it's loud, huge, bold, and so hyperactive that I struggle to come up with some sort of activity that this would be suitable for. Catastrophe rock? Apocalypse rock?

Here in New Orleans I rarely get an opportunity to see the bands I write about, but I was lucky enough to catch Steelism - at a bar with excellent sound no less. Jeremy (electric guitar) and Spencer (pedal steel) were effortlessly masterful at their instruments, and the songs from their 2014 LP "615 to Fame" really came to life.

Beertubes are one of the few (if only?) surf groups representing Indonesia, and they do it with burlap sacks or a red cloth covering their head. I don't know. They've got a pretty trad sound played with gusto and a few sound clips interspersed. This is a warmup as they get an LP ready before the end of this year

It's streaming on bandcamp or if you'd like one shipped to you, check out their facebook page

Susan & the Surftones have been regularly releasing material since the mid-90s and according to Wikipedia this is Susan's 18th LP. Very nearly an album a year, and I have to admit I just haven't been able to keep up.

We've got 7 songs on this one with the title track listenable in its entirety on Reverbnation