The point of having so many Gremmy Awards categories to something that most people just think of as "surf" is to best compare apples to apples and oranges to oranges. And so what we have here is the wildberries at the bottom of the basket. Unidentifiable, unique, possibly poisonous. Some of them play with our idea of surf music, some of them ultimately are just recommendations to surf fans.

It's funny how things have changed over the course of doing the Gremmys. I once had a small band called Khruangbin win this category, now I feel like bands that sound like Khruangbin are kind of their own genre, and I'm hesitant to include them here. Bands like Chicha Libre and Sonido Gallo Negro that pushed cumbia and chicha felt like cousins to surf music, and while sometimes that still feels like the case, cumbia has experienced such a vibrant revival in a manner that often feels very separate from surf. And I think that's amazing. Even if it doesn't seem to have paid dividends for surf music, I love that we're living in a world that seems more open to instrumentals in general. Maybe this will mean fewer people yelling "SING SOMETHING" at shows.

But the most important thing that I'm saying here is that if you took any of my Gremmy categories seriously, please take this one less seriously. Think of this only as things that I, a fan of surf music, might think other fans of surf music would find enjoyable.

The reason that I subdivide the Gremmy Awards into so many different categories is because reverbed instrumental guitar music can be and always has been so many different things. "Latin'ia" has a different appeal to it than "Bombora". I often refer to this category as the music with more of a punk and metal influence "added into it", but isn't that circular? You're not going to find much music with the same dark intensity as "Misirlou" before it, and if you ask me you won't find a whole lot of that intensity for a while after! This is not some sort of infusion to weaponize surf music, it's following surf music further down a path that it started. 

Modern surf is always a large category because most of us by default are modern people doing modern things, creating modern works. So it's always going to be a big category. And its not really something you can define: it's not traditional surf, it's not too aggressive, but it's still surf, and that amorphousness also means that there's a lot of things that you could call "modern surf". So what I'm getting at here is hoo boy, do I have a lot of things on here. And when I have this many things you might think "well did anything not make the cut? Absolutely, there were a lot of good and even great surf records not on this list, a few that felt like snubs, and the crazy thing is I wanted to cut more. But the thing is, I couldn't! I felt like nearly all of these in their own way had a claim for the top spot. And especially interesting, they all brough something unique to the table, not even an opportunity for one to "cancel another out".

And I guess that's a good problem to have. So here are TWELVE very interesting and excellently crafted surf records, and one that after a LOT of thought, I decided I liked the most. In no specific order except for the last one.

60's surf music is magical, and while countless people have modified it and expanded it, nobody has ever replaced it. For some, it's a guiding light to strive towards. I think that was the idea behind these albums, at least to some extent.

The first Gremmy category is a bit of an outlier, as it doesn't really pertain to surf music itself. Album art! However, I think surf as a genre has had a pretty strong visual identity over the years, dating all the way back to its inception. The value of this feels even stronger now that so many bands are simply generating pictures of a surfer riding a huge wave 5 feet from the shore (why is it always like that?). Plus, The Grammys have this category, why shouldn't I?

Finally, we've been done with 2025 for a whole month and I'm ready to roll out the 2025 Gremmy Awards. These are my favorite surf releases of 2025, divided up into several categories so that I'm not comparing apples with oranges. Except I definitely am and you shouldn't take these categories too seriously. You shouldn't take any of this seriously, it's just one guy's opinions.

Every year I try to keep track of all the surf releases I can find. It's always a very incomplete list -- some platforms are easier for discovery than others, some bands barely even advertise.

There are a few notes and rules:

• I don't include single-song releases. It would just get impossible at that point.
• It must have been released in 2025. If it was digitally released in 2024 but vinyl came out in 2025, I still call that a 2024 release. If there's more than a year gap, I'll call that a reissue.
• This is not a list of recommendations. Inclusion on this list just means I found it and verified that it was surf music. It doesn't guarantee that I even listened to the whole thing.
• Exclusion from this list could mean I don't know about it, that I haven't updated it yet, or it could be an error! Either way, contact me!
• This is mostly bandcamp because that's where I discover music the most. Any digital platform (or no digital platform!) is valid.
• Must be at least 50% instrumental.
• I try to be generous, but my defintion of surf is ultimately my own.
• Bolded stuff means I reviewed it on this site.