Oh no. It's pretty much June and I haven't finished the Gremmys. I got sidetracked, a little burnt out,time to shove this out the door. This is my category for things that felt worth mentioning for whatever reason or another. I often highlight outstanding EPs in this section, but since it's gotten this far behind and that's the most time-consuming part, I'm forgoing it. These are probably the least serious categories, a lot of them don't exist from year-to-year. Anyway, let's do it.

Every year there's some things that feel like they're off on their own orbit, but that orbit spends a decent amount of time in our surf galaxy. Awful astronomy aside, some things just don't fit neatly into my stupid Gremmy categories, and though it's hard to judge them as there's little to compare them to, a great record is a great record and should be recognized for it.

Dick Dale used to boast about how he was the father of heavy metal. However you may feel about that, it is the first type of music I can think of that really focused on aggression. That's a seed that germinated through subsequent loud musics that refactored back into surf. And here we are, recognizing instro music that wants to be fast, loud, and hit hard. These are groups that may not be trying to emotionally move you, but hopefully can set you in motion physically.

It's great to make music that sounds like the 60's, but sometimes you just want to make the surf music you want to make. Or maybe you want to push the genre beyond where it's been. There were a lot of great options here this year, and while I don't think my selections paint the full picture, these are the records that I felt were the best from start to finish.

Surf music has come a long way, but it didn't need to! Some groups are ready to go with a reverb tank and a Sentinals record. This category is for bands that are trying to recapture the magic rather than develop it.

Andre Nucci used to play in Intoxicos, but their relationship can't be that toxic because he illustrated this cover! I love when somebody can take something done a million times (in this case surfing guitarist) and make it feel new. The garbage, creature's eye, two nuclear bombs, that stuff is fun. But I also just love way it's illustrated. That guitar-surfer's stance and the linework on it really sells the motion. And I love the bright colors that fade to pastels with perspective. This band's art has always been good (the extended art from End Times seen on their facebook banner is great) but this is their best yet.

I think album art is important. It warms you up to a record and sets the tone. When sitting next to a bunch of other records, it's what makes somebody stop and ask "what is this?"

The Gremmy Awards are my choices for favorite surf records of 2023 stretched out into several categories in order give myself more work than anybody asked for. I have not heard every surf album released this year, but I sure did try, and even made a big list of as many as I could. That said, my taste is not infallible -- some records take multiple listens to sink in, and some things resonate with different people. However, my goal is to make a great list of surf instrumental records that I could recommend without hesitation to anyone. Not just good surf records -- there's a lot of those!

Previously as part of the Gremmy Awards I released a big list of every surf release that I had come across in the past year. This year I decided to keep it as a rolling, consistently updated list. It's less fun at the end of the year, but it's more helpful this way.

A few things to note:

I think album art is important. It can not only grab your eye and coax you into listening to a record, but it can inform the listening experience. Surf has developed a strong library of iconography over the years, not to mention a stable of excellent go-to artists. I always enjoy taking a moment to look into who these artists are and recognize them for giving a little more life to this music.