Los Freneticos' previous LP "El Playa" was a great little surf album with plenty of nice tunes, but I didn't see a hint that they were heading towards something as ambitious as this. The description on their bandcamp page calls this "a lesson that reviews the A to Z of contemporary surf rock sound" (translated) and they certainly do make an effort towards that. I believe Los Freneticos are a quintet, but they frequently stretch out a bit further than that with an extensive cast of guest musicians playing flamenco, pedal steel, trumpets etc.

I'm way late on this one, but if you're able to spook out in the pre-Christmas season then I'd suggest you head over this way. The handful of psychobilly vocal tracks suggest that influence over all the tracks, but there's a surprising amount of variety despite keeping a consistent tone. "Cramped" sits somewhere between an obvious Cramps nod and Link Wray, and "L'Hiver" and "The Buzzards Claw" have a similar slow crawl. "Surfing Sasquatch", "Berenice" are more familiar horror surf, while "Blue Drag" has a Flat Duo Jets sound and "Pants Party" gets downright jazzy.

Stories from Shamehill are a three-piece from Amsterdam, and though they've been together since 2012 I believe this is their debut EP. They have a solid modern surf sound, not overdoing the reverb and keeping a good upbeat pace. My favorite is the  relentless momentum of "The Cannonball Rum Theme", though it is always nice to have a plain ol' wave-rider like "Toes on the nose, Bros".

Just two months ago Blackball Bandits released their debut demo, which I thought was too good to be called a demo. They've also called this one a demo, and at this point they're really pushing it. This is a little bit different than the last one: not as rough-and-tumble, less punk and less spaghetti western.

The Cavaleros are clearly descended from the Link Wray tree of instrumentals, with ragged blown-out guitars and, of course, a Link Wray cover right at the second song - a good one at that. The opening track essentially a cover of the Frantics' Werewolf, and a song that fits their rough attitude well. The real winner here is the one that I believe tro be an original: Chinese Takeaway. When they get to speed the Cavaleros really take off and make a furious racket.

The Green Reflectors are a mean and lean twosome out of Nova Scotia. Earlier this year they released another self-titled LP, which definitely had some strong Flat Duo Jets vibes emanating from it: mean guitar and poundin' drums with a lot of teeth and energy. The main thing that has changed here is the recording: they moved out of the basement and into an actual recording studio.

Earlier this year we got a surprise album dropped on us by Swami John Reis of Hot Snakes (backed by the also excellent The Blind Shake). Pounded by the Surf aren't as outward about their alter-ego, but there was enough here to be suspicious: their album is exceptionally well-produced, came out of nowhere and they're touring both the US and Europe...

This debut EP from Gemini 13 starts out unassumingly with a pretty traditional surf instro "Tijuana Spygame". But then it gets a little more showy with "Mumtosh" and gets MUCH more interesting with "Tiglath Pileser". There's some really interesting stuff here: great division of duties between lead and rhythm guitar. I hope they might rerecord some of these tracks in a subsequent release, as I don't feel like the production is allowing the oomph some of these tracks deserve. Still an eye-opener! Or ear-opener I guess.

Khruangbin are a pretty distant cousin of surf, but they're worth mentioning here because:

a) They're guitar-based and mostly instrumental
b) I've posted about them before
c) I am going nuts over this album and it wouldn't surprise me if there are other surf fans that would too.

This EP is Dirty Fuse's first with their new guitarist after their previous guitarist went Back to Brazil. I'd still say this sounds like the Dirty Fuse we're familiar with, but I can only say that because they're an adventurous group and change is expected. There's still prominent saxophone, there's a great sense of depth to the sound - partially nice recording, but the bass definitely rounds it out as well. "Evolution" starts it out as a pretty aggressive number, but you get a lot more chilled-out with "Back to Brazil" and "Wonderland" which are nice-n-easy sunny day tracks.