Despite consistently enticing album art, I am not well acquainted with The Illuminators' material. They play modern/progressive instrumentals with a bit of mood and punch to them. There's a desert/spaghetti western theme going on on this EP that probably comes out strongest in "Memento Amorella", which might also be the most melodically memorable moment of the EP. This isn't really a direct Ennio Morricone thing though -- I hear just as much of the Madeira in here as that, but not quite as restless. It's an enjoyable journey with a sound that you can really sink into.

Los Tiki Phantoms are back with another album of lighthearted, carefree, pop-garage surf instrumentals. Though there are a few more effects, brass instruments, and spaghetti western sounds, it still has that bright and sunny Los Tiki Phantoms feel. They don't change the formula much, but I think of them as dependable rather than sounding stale.

So close to being able to say "Release the Kraken". Anyway, Z and the K's are a trad surf band out of Copenhagen playing 100% covers, including some from the 90's and onwards. I was surprised at how naturally they could fit songs by The Atlantics, The Ghastly Ones and Man or Astro-man right next to more standardized surf standards like Pipeline and Squad Car. Speaking of cohesiveness, the second half of the album was live but a nice enough recording that the talking before and after the track was the main giveaway.

Every once in a while retro electronic music collides with retro analog rock & roll and we get a chiptune surf record.

Splashdown is when a spacecraft hits the water upon reentry into Earth's atmosphere. When astronauts go from space to surf.  It's a great name for the splashdowns, who mix a semi-trad surf sound with a sense of cosmic wonder and adventure. Think The Spotnicks doing Rocket Man rather than Man... or Astro-man?, with a non-aggressive, thoughtful surf approach and not much reliance on out-there effects. There's a surprising amount of variety too.

I once declared that 2016 belonged to Amphibian Man, so now it's time to see what he has in store for us in the new year.

In their 4th LP, The Bahareebas have found a sweet spot that I expect should resonate with just about any modern-trad surf fan. Despite a pretty no-frills surf sound, The Bahareebas manage to play with a sense of purpose and emotion in every moment of the melody. It's bright and sunny and energetic, but also with a sense of danger -- while not being vicious. They take cues from many of trad surf's memorable leitmotifs without feeling like rip-offs, just channeling the spirit of the music.

Genki Genki Panic is back after their transformative Spooky Fingers EP. While Spooky Fingers felt kind kind of like a soundtrack, Litanies of Surf is a rock record, dialing back the atmospherics, cranking up the volume and the speed, and keeping the anything-goes approach to their song-writing. Less spooky, but bigger and meaner. Less Danny Elfman, more Man...

With their last release, Los Coronados had a story that the grandsons of the original musicians were releasing their fathers surf band master tapes from 1965. Fun story, but I didn't buy it. Now that they're Tupac'ing some new material, I'm especially not buying it. But here's the thing: this is the only Taiwanese surf band I know of. That's plenty enough of a story!

Lots to worry about here. Dr Phobic serves up 10 instro-metal tracks with titles that end with the phobia suffix.