On October 12th local surf group Sun Year dropped in to promote their show the next day. We've got four great songs here, though unfortunately held back a bit by the station's equipment. Thanks a ton to Sun Year for dropping in, and remind me to take a better picture next time!
Blog Stuff
All over the place today, though taking an extra long hop in Malaysia. I just grabbed a copy of Dick Dale's 80's release "The Tigers Loose"... not as cheesy as the cover would suggest! And a reminder, make sure to terrify me (and everyone) on the frightline.
As for what I played last week, I'll have a post up later so you can listen to Sun Year's in-studio session. Here's the rest of that show. Or at least it was something like this
10/12/2015
Genki Genki Panic may have already released an LP this year, but managed to squeeze in another small spooky one before Halloween. Two of these are covers: White Zombie's "Soul Crusher" and a Misfits cover (always appreciate another misfits cover) in "Return of the Fly". The title track "Vaya Con Diablos" is actually a creeping vocal track.
This one's a free download. They do have CDs for sale for a cheap $5. Release date says October 31st but CDs ship Oct 23rd. Yes, that's how you do it!
This is the second LP from The Silicon, and it covers a lot of ground. There's some shredders like "Mysterious Island" and the title track "Tiki Tohoa", and some western tracks like "Road to the Ranch", and I pick up a lot of rautalanka and shadows influence on others. They bill themselves on bandcamp as post-Soviet surf-rock and I can't help but think of the Surfbeat Behind the Iron Curtain compilations. Maybe they should feature on a modern equivalent of that!
Give it a listen!
Par Avion clearly love the surf sound, but don't let it get in the way when they have other ideas. "Unchained Melody" has a great Duane Eddy meets modern-surf twang to it and sets the tone well for the rest of the album. But then the song "Par Avion" has a less motivated, more post-punk melancholy to it. Then the next song features a cello, the next one has a great orchestral spaghetti western sound to it, but then there's a pretty straightforward cover of Misirlou.
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