After 6 years without a release, Y Niwl (pronounced Ur Nyool) have emerged with a new sound. For lack of better terminology, it's a bit more "indie' with guitar tones more in-line with modern music and with the keys (still prominently featured) expanding to different tones as well. I like it. They keep their whimsy from earlier works but have moved into something a little more expansive sounding.
This album is a bit front-loaded, slowing down and perhaps even reverting to a more...Read more
It's been 4 years since The Irradiates' last LP Revenge of the Plants and though we've had some Arno de Cea & the Clockwork Wizards albums to keep us happy in the meantime, it might be a little disheartening to see that this is a collection of rarities, unreleased tracks and live cuts if you were expecting an album.
Do not be disheartened. This will absolutely serve as the Irradiates LP you've been waiting for. The opening track should convince you...Read more
Let me suggest that you skip the first track. It's a good song, but it's got a thin garage-surf sound that gets the wrong idea across.
OK now we're going. You've got brass, a lot more low end, and some whammy bar. This is a much better idea of what to expect from Los Kosmos. This is fun modern surf with playful progressive leanings. I get moments of later Los Straitjackets and maybe even early Laika and the Cosmonauts (especially "V Jope Fantik"). Give a listen...Read more
The sophomore release from De Surfures has me wondering why I didn't pay much attention to their first. This album is full of punchy modern surf instrumentals with a great grit and momentum to them, with a few fun twists thrown into the mix. The mix on this is a little funky, with the percussion way up there and guitars at sometimes nearly subliminal levels, and it feels like that mixer is moving around pretty often. It takes some getting used to, but in the end I think I like it. It's a...Read more
After 4 years this New Orleans local surf punk band has put out their third release. Every Bills release has sounded better than the last, and this one lets you know it right from the first loud and heavy note of guitar. And they're proud of it; even though half of this album is vocal, the guitars are always just as loud.
But we're here for the instrumentals. Some of these are familiar from past releases ("Apollo Creed", "The Maggot", "Cockface Creep") but sound great with the new...Read more
After their promising 2016 EP "Here Come the Delstroyers" these Seattleites have thrown together a longplayer for us. And it's a lot of fun.
Really, you just have to listen to the opening track to get the picture with the Delstroyers: Straightforward modern surf played with passion. These are some of the hardest records to talk about because The Delstroyers don't exactly do anything in a way that sets them apart, but this is a style of music where the intangibles are important, and...Read more
The Quaketones caught me with my pants down. I had only heard about them a day before this poped up on bandcamp despite them being from New Orleans.
This is not a straightforward surf band. It's clunky, not especially wet, and there's not much of a wall of sound. I'm still not entirely sure what their instrumentation is... upright bass? Lap steel guitar? Pretty sure there's some saxophone. It's kind of a hillbilly surf sound, even with moments of a busking New Orleans jazz sound, but...Read more
Las Vegas Grind is a compilation series put out by Crypt records featuring bawdy instrumentals that were more about honkin sax than reverbed guitar. That series helped identify a different style of rock & roll instrumental that might have otherwise been shrugged off we came to get a little more obsessed with genres and focus on this idea of "surf music". If you need a reference point, Tequila would fit nicely into Las Vegas Grind, though I'd suggest just grabbing those compilations, they...Read more
The Unnaturals have been showing New Orleanians what instrumental rock & roll is about since before I found my way to a local frequency, and we're lucky to have such a unique group stick around this long.
They're frequently lumped into surf, though I wouldn't go there and I don't think they have a particular attachment to that word either. They've found a three-piece setup that works really well for them with Jenn Attaway growling away on the bass and keeping things moving while...Read more
Mark Malibu and the Wasagas were a second wave surf group up in Toronto that have recently reformed. I won't pretend that I already knew that, but I believe this is their second LP and their first recordings since 1981!
Often a reunited surf group is not something to get your hopes up for, but with no frame of reference as to what their old recordings sounded like, this is a damn fine instro record. Their sound is modern trad -- not sounding terribly close to a 60's...Read more
Here's the latest from everybody's favorite Russian instro group. While their general sound isn't much different from their recent albums, it's not all draculas and coffins: you've got some pleasant steel guitar thrown into "Hula Drag-u-La", and you've even got a batman theme on "Chupacabra vs Batman". For whatever reason, we get another version of Popcorn with "Children of the Popcorn" (Zombie Shopping had "Popcorno"). I've listened to it a few times but all I really have to...Read more
This is the second longplayer from Tsunami Experiment and though it plays less long than their last one (8 tracks vs 15), I get a better sense of emotion here.
Tsunami Experiment descend from the Man or Astro-man side of the family but they've never quite hit the same defcon level as their ancestor and I sense that's fine with them. Man or Astro-man, wide-ranging as they were, didn't have any songs where the main riff was on piano, but Tsunami Experiment have done it on...Read more
Argentina's Megatronadores impressed me with their first EP Wedwedn. It had a great wide open and free-floating feeling to it while still keeping a significant heft and drive. I had a feeling that with their follow-up they would only expand and try new things, and sure enough the result is a expansive, extremely creative work that makes for a wonderous listen even if its tether to surf is pretty thin.
Wanglen is a full LP this time and feels like a...Read more
For 25 years Spain's Los Coronas have been pumping out first-rate surf records. It's been 4 years since their last LP Adios Sancho and Señales de Humo (Smoke Signals for us english speakers) builds on that sound, but even after one listen I think it exceeds their last effort.
Moreso than not, its a surf record, though with such prominent horns, it's tempting to try to think of this as a Spaghetti Western sorta record, and it does tend...Read more
When I saw people talking about getting this album from The Southern Surf Stomp this past weekend, I was wondering how long it would be until I could get a copy. Not long it turns out!
Like their name itself, Los Seitans have a sound that's almost evil but ends up just having fun. They've got a trashy sound and a lot of horror themes, but keep finding their way back into something less dreary.
The opener is pretty classic surf with some theremin and conga touches. "Ghost Friendly" is the most energetic with a big stompin' sound to it and a big theremin buildup at the end before giving you their biggest creeper track "Laiseca Theme", whcih then drops...Read more
On their third release I think Los Ultraman finally found their groove. Their last two releases showed moments of interesting ideas that never quite found their way into something that worked for me. The opening track "Non DNA Man" immediately shows off where they've gone: a pastiche of familiar surf riffs with wild saxophone riffs slowly getting wilder and more effect-driven, eventually spiraling into some Sun Ra spaciness before kicking right back into gear.
It continues from there...Read more
I'm sure a lot of y'all have seen that viral video of a guy playing metal songs without distortion only to reveal surf songs underneath. I'm sure somebody thought what many have yelled "Play some Slayer". And here we are: Reign in Blood, done as a surf record, with a crudely drawn, crudely conceived band name "Surfyer". I love it.
This is way more enjoyable than...Read more
First off, it's a good band name. A pretty normal sounding surf band name until you say it aloud and realize the pun.
The Lei Men have a small handful of covers here, but manage to make each of them sound unique. While everybody else is trying to see who can shred Misirlou at warp speed, they prefer to just warp, even taking it slower and in a more psychedelic direction. Their cover of Travis Wammack's "Scratchy" has all sorts of new sounds going on, but like the original still sounds...Read more