Full steam ahead, this category is for groups that prioritze noise, speed, and power in their instrumental music. They often take influence from punk groups, they're often simple and lo-fi, and in spirit sometimes I think they're closer to what teens in the 60's wanted to do.
This category is for surf groups that don't feel like they need to closely imitate the sounds of yesteryear, who carve out their own sound and identity. I don't know if I've ever crammed this category with so many records as this year -- and this is after several difficult cuts. Maybe I need to be more ruthless, or maybe there was just so much to love. I like to think it's the latter. Here are what I consider to be the cream of the crop for 2020.
These days garage bands with a little bit of reverb on their vocals are called surf bands. Thankfully, there are still plenty of excellent groups out there that know what surf really sounds like. The following bands aren't aiming to reinvent anything, they're all about making great instrumentals with that irresistable sound cooked up in the 1960s.
This was a good year for trad surf groups and an interesting one. Most of the groups below are sort of rising stars of the scene who made their initial appearance only in recent years, without much presence from the more legendary 90's era groups. Here are what I believe to be the standouts.
Welcome to the first, most irrelevant round of the Gremmy Awards. Album Art matters. Without listening it gives you an idea of what an album might sound like, the effort put in, and even though it shouldn't, it usually does have some say in whether or not you end up listening to it. Even when listening to the final product, it can guide the mindset that you listen in.
Here are several picks from this year that really stood out.
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