In 2015 Los Freneticos’ album El Sonido Que Perdura was anointed with my Gremmy award for best Trad Surf record of the year (man, I was playing fast and loose with the word "trad" then...). It’s a record that bursts with energy, exuberance and playfulness. Teletransportacion is the follow-up to that record, and though it keeps much of the same sound, it chooses a different style. If El Sonido Que Perdura is an action-packed Saturday afternoon in the sun, Teletransportacion is Sunday at the same spot, cold drink in hand.

3 releases in less than a year, perhaps Amphibian Man is getting back to his previous furious pace. Though Metal Goes Surf went back to slapping some reverb on that guitar, these 7 songs are about as dry and punk-sounding as they've ever been, to the point where I'd consider this instro-punk instead of instro-surf.

Cat Sith (or Catsith, they never seem to settle on that) have released 3 EPs and 2 LPs since April of 2018, and every subsequent release gets a little more poisoned.

Despite hearing their first EP, something about this led me to believe that it would be fast-n-nasty metal-tinged surf, but Mare Incognitum actually adopts a pretty normal modern surf sound at a normal pace, just dwelling a bit more on the darker side. That's no complaint though, each of these is punchy and fun, almost always danceable, and with a good sense of when to go big, when to sound a little nastier, and generally how to stay interesting and fun.

I've often seen talk of drum machines in surf but it usually seems like a solution for bedroom composing and the inability to form a band. I gotta say that most of the music I've heard with them is... eh. But there are some bands that have fused surf with synth and drum machines very well, such as earlier Messer Chups and Matorralman. Galactic Gold sounds like neither and pulls it off well.

Chad Shivers (organizer of the Southern Surf Stomp, plays in The Mystery Men?, KBK, plenty of others bands) champions The Flying Faders’ debut album No Sweat as one of the best surf albums of the past 10 years. I like it, but it never quite grabbed me enough. I couldn’t tell you why, and I can’t tell you why their new LP seems to fix whatever it was. Tectonic Shifts is a great album.

The over-the-the top party feeling that you get from a band name that seemingly promises you both sex and (presumably) butt-shaking feels kind of ironically imposed when you actually listen to this album. It’s not sad or particularly listless or anything, it’s totally danceable, but there’s a sour and strange feeling to this. My first thought was a sort of vaporwave via surf, but I think something closer would be a Twin Peaks comparison. Not so much directly to Angelo Badalamenti, but the feel of the show itself.

This is a band that’s straight-ahead with their delivery, so I’ll do the same: El Zeb nail it.

Let’s jump straight to what’s important here: percussion.

A lot of bands reach for that spy sound, and while some try to get there via mimicry of John Barry, the real key isn’t in what you’re twangin’ but what you’re bangin’. Maeds Dominos sometimes have the snare restricted to surbeat, but you can expect it to be joined by bongos, glockenspiel (?), tambourine… it’s extremely well done and expands the whole feeling of the songs beyond mere guitar aggression.

Of all the different directions that Amphibian Man has taken, this was the easiest to see coming. Shortly after releasing No Surfers In My Town, Amphibian Man started posting videos of surf versions of metal songs, so here they are compiled into an album.