Perhaps you can tell by the name, but Men from S.P.E.C.T.R.E are pointed in a global syndicate of evil direction than rather than southern California. If you didn't figure that out, then you need to watch Goldfinger. But what I really mean by that is you can expect plenty of organ with your guitars, and a swanky mod beat. Not so much John Barry, closest cousin I can think of is Stereophonic Space Sound Unlimited. It's a sound I'd like to hear more of, and they pull it off according to plan. SPECTRE wins this time.
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We've got four songs of rough and raw surf here, all new tracks. As a live EP, the production quality takes off some of the crispy edge that was on their self-titled EP, but it's still fast and fun. I'm hoping we can hear some of these on an LP in the future
Arizona's The Coconauts are back with their second LP. It's been a while since I last sat down with their album Get Coco-Naughty, but this one seems creepier and spacier. It's also a bit more focused as an album, with several interstitial bits to accentuate the creepy, spacey feel. Looks like the tracks from their EP I Drove My Car to Heaven found new version on this one as well. I've barely given this album a full listen, but standouts are the great interplay between guitarists on "Re-Entry" and "Black Hole".
The Exotics have two LPs under their belt: 1996's Go Go Guitars and 2009's The Lost Room as well as a few EPs. A retrospective album like this works in a time sense at over 20 years, but it's still pretty easy to pick up the complete collection too. Their bandcamp says this has a few new and remixed tracks, but I haven't figured out which ones those are.
I've had this one for a few weeks now and have already reviewed it, but the latest Madeira release just became available to purchase from Double Crown. The very quick version: it's another Madeira album, of course it's great, ya dingus.
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STORM SURGE OF REVERB
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